Incognito Press

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Posts Tagged ‘MFA’

Alice in Writerland

Posted by E on June 4, 2012

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PRESS RELEASE

For Immediate Release

June 4, 2012

Toronto, Ontario

Incognito Press announces the publication of ALICE IN WRITERLAND: A WRITER’S ADVENTURES IN THE UGLY WORLD OF PUBLISHING, written by local author Elisa Hategan.

ABOUT THE AUTHOR

Elisa Hategan is the Romanian-Canadian author of RACE TRAITOR, a debut novel based on her experiences inside a terrorist group, which won a Toronto Arts Council award, an Ontario Arts council grant, and a Canada Arts Council work-in-progress award, as well as qualified as semi-finalist in the Amazon Breakthrough Novel Contest.

ABOUT THE BOOK

ALICE IN WRITERLAND is a heartbreaking, candid and scathing indictment of the publishing industry and the personal sacrifices involved in the pursuit of success. Much more than a shocking exposé of unprofessional behavior in the literary world, however, this is a memoir that transcends into an intense exploration of what it means to be an artist.

If you could have anything you wanted, would you sell your soul for it?

ALICE IN WRITERLAND provides a shocking inside view of a world where pompous literary agents, sleazy managers and high-priced creative writing workshops have created an industry that is less interested in pursuing talent and more concerned with ripping off hopeful writers.

If following your dreams meant giving up everything you held dear, would you still do it?

Elisa Hategan started out as a debt-ridden poet who knew absolutely nothing about the publishing industry. On a whim, she applied for and won a scholarship to a prestigious creative writing program. Within a year she had transformed from complete newbie to professional writer, winning multiple art grants and being accepted to the most prestigious MFA program in the country. Better yet, she had the perfect agent and a manuscript that caught the attention of a Big Six publisher.

And then, somewhere along the way, it all went terribly wrong.

Elisa Hategan’s Alice in Writerland: A Writer’s Adventures in the Ugly World of Publishing is the heartbreaking and ultimately triumphant story of one woman’s attempt to make it as an author, all the while trying to figure out what that really means in the 21st century.

Posted in artist, books, canada, canadian literature, culture, depression, freedom, inspiration, life, literature, manuscript, media, MFA, news, perseverence, press, press release, publishing, writer, writing | Tagged: , , , , , , , , | 6 Comments »

Small Press vs. Self-Publishing in the New Millenium

Posted by E on September 25, 2011

Ten years ago, if I couldn’t sell my book to a Big Six publisher I would gladly have taken the small press route. Heck, even as far back as five years ago I’d gladly have signed on the dotted line, and bragged to all my friends that at least I got a “real” publisher. I’d have used words like “legitimate” and “prestigious”, and snubbed my nose at the yucky self-published vanity “authors” who used to lurk in the gutter alleyways of imprints like Lulu.

But now, with the possibilities offered by Amazon and Smashwords, I wonder if any small publisher can come even close to the advantages offered by self-publishing. Not that self-publishing is a radically new thing. It’s basically what writers used to do for hundreds of years before established imprints took hold in the last century. So I asked this question on Twitter: If you can’t sell your book to Big Six publishers, would you go to a smaller press and get small/no advance OR self-publish?”

One person managed to give a nearly mono-syllabic answer: “small press”, but when I questioned whether splitting my royalties with a press who doesn’t have the marketing dollars to launch me (and thus force me to do my own marketing) is even worth it, she didn’t respond.

The answer seems obvious to me. I don’t begrudge the efforts of small presses and their editorial teams, but the fact of the matter is, most books published by small presses rarely sell more than about a thousand copies. Small presses do not have the budget for premium spots in bookstores, for massive advertising, and do rely heavily on authors marketing their own books. Which is something I already do every single day. And when my earnings are so small to begin with, I’m not sure I really want to split my royalties 85-15 (or worse) with a small press. I’m just being honest here.

Some may argue that small presses add an indispensable value to one’s book by providing expert editorial services and cover design. What I’d suggest is that if a writer so wishes, they can easily hire out editorial, formatting and graphic design services for a flat rate / one-time fee, rather than entering into contract with a publisher who cannot pay you an advance higher than four figures.

I believe we are living in the gold rush age of publishing. For the last couple of years, Big Six traditional publishers have bemoaned what they call a new evolution of the Guttenberg Press, an electronic Golden Age that they hope to survive unscathed. Hatchette and Random House executives have flown (no doubt first class) to meet Steve Jobs in the hope that Apple can somehow squash the Amazon revolution that precipitated a system in which Gatekeepers are being eliminated faster than one can say “Tyrannosaurus Rex.”

 I had a little laugh when I read about it, imagining all those execs in their crisp name-brand suits and ties, oiled briefcases in hand, walking pompously through Apple’s doors, thinking they have anything to leverage their arguments on. It was all the funnier, knowing that in the next five years, those New York penthouse residents will be lining up at their local Unemployment Office. Unless they package themselves out first, as several NY top editors already have been – and starting self-publishing consulting firms. Ah, the irony.

 This new age spells the end of MFA programs ran by greedy writers of the old generation, many of them mediocre writers in their own right, but who lucked out at a time when publishers would print nearly anything legible passed up the chain through nepotism and tapped favors. I mean, who in their right mind (aside from a trust fund baby) would spend $100K to get an MFA when there is no more Random House or Doubleday?

In the future literary universe, you’ll never get a huge advance. You’ll never have publishing execs speculate over your future success over endless luncheons. No, the only thing you will have to produce is a work that is good. Translation = that sells. That audiences, rather than editors and studio execs, will love.

 No more nepotism. No more favours. Of course, if you’re rich and can afford thousands on marketing, you’ll probably still manage to launch yourself out there. But without the gatekeepers, the world becomes a much more even playing field. Any hipster with a stack of flyers and a penchant for podcasting can generate the kind of grassroots buzz that can turn a coffee-stained manuscript into a bestseller.

In the new age we are entering, the ultimate gatekeeper will be the public. Only the AUDIENCE and the power of their mighty dollars will decide if your book has a future. NOT a nail-filing twenty-five year old acquisitions editor who’s rejecting anything on her desk that isn’t vampire teen porn.

 We are in a time of golden rushes. Thousands of new writers enter the self-publishing stampede with tin pan in hand, hoping to make their fortunes. Most will fail, in the same way that most authors in bookstores will fail to earn out their advance and never get anywhere.

But a few WILL succeed. Their ideas and manuscripts WILL strike gold, and when the dust settles they will enjoy the knowledge that they did it all on their own. That their success was entirely in their hands, and the profits they earned are not going toward paying for a Big Six publishers’ Fifth Avenue office suites and expense accounts, but in their own pockets.

We need to embrace this time of revolution, rather than cower and cling to sinking ships that are too bloated to sustain anybody. We need to remember that we at least have our talents and our fresh ideas, but agents and publishers, without their 15-90% cuts, have nothing. And that it was only a matter of time, in an industry that is barely a couple hundred years old, for things to change. For the unwashed masses on the outside of the palace gates to break through, behead anyone in the way and torch the whole bloody place down.

 Allons enfants de la Patrie! Le jour de gloire est arrive!

Posted in art, artist, books, commentary, culture, freedom, innovation, literature, publishing, technology, thoughts, writer, writing | Tagged: , , , , , | 7 Comments »

I got into UBC!

Posted by E on December 15, 2010

On Friday morning (Dec. 10) I received an email from the UBC Creative Writing department informing me that I had been ACCEPTED into their MFA program! The news was so thrilling, considering that: 1) I had convinced myself I wasn’t going to get in, since they have such a low acceptance rate, and 2) the program is the oldest and most reputable in Canada, widely-regarded as the Iowa of Canada.

Yesterday I wrote them back and officially accepted their invitation to the 2011 low-residency session. I’m still glowing, as you can possibly glean from this uber excitable post:) I chose UBC (University of British Columbia) over other schools because when I graduate, I will have a diploma identical to those who attend the full-residency program, and from one of the top 3 universities in Canada and among the top 35 in the world.

Unlike other MFA programs/diploma mills that have recently started being offered in this country, the UBC one is a legitimate, prestigious and most of all, REAL university graduate studies program. If anyone wants to know more about what I mean by that (and which new programs are unfortunately less legitimate than others and in my opinion should be avoided), feel free to contact me in private.

Unfortunately, with the increased popularity of MFA, particularly south of the border, any community college or private institution can spring up and offer diplomas at often exorbitant fees. If you do wish to pursue this route, do yourself a favour – look not only at the faculty, but ask yourself who is behind the program. How long has it been around? What is its reputation both at home and abroad? You owe it to yourself to make sure you only apply to time-tested, authentic programs – that way you won’t regret it down the line. I know it seems like common sense, but I’ve read of too many eager young artists who accept the first offer that comes their way.

Anyway, I’m so beyond excited and can’t wait to see Vancouver for the first time next summer! If anything, this acceptance is a boost in my morale and it’s definitely a great motivator for me to get back to work on my new novel. But no worries, I’m not actually moving to Vancouver – this is a long-distance program in which I only have to go up to BC once a year, for a couple of weeks during the summer. Have I mentioned how I really, really cannot wait? I’m so, so happy 🙂




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