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Archive for the ‘elizabeth moore’ Category

The Truth about White Lies

Posted by E on February 2, 2020

Elisa WhiteLies collage edited

In 1995, a young woman named Elizabeth Moore was featured in a Macleans article. Her story of endangerment and defection from a white supremacist group caught the eye of two CBC film producers, Dennis Foon and Phil Savath. Right away, they contacted Moore through Canadian Jewish Congress Executive Director Bernie Farber, who had been quoted in the same article – and offered to option her life rights.

In 1996, Moore signed a contract for $12,500 to sell her life rights – “The Life Story of Elizabeth Moore” – to the CBC. The contract stipulates that Moore was selling “her life from her childhood to 1995, and surrounding her involvement with the organization known as ‘The Heritage Front’”. Paragraph 12 (b) reads “The information [Moore] provides in connection with the Life Story is accurate and factual to the best of her knowledge”.

Elizabeth Moore White Lies Contract

In 1998, a movie titled “White Lies” was broadcast on national television and publicized widely as “A True Story” that was based on “the life of Elizabeth Moore” – character names and events were changed but according to the press, the film was based on Moore’s experiences in the Heritage Front and was only “nominally fiction”. 

The media blitz that accompanied the film’s release lavished the filmmakers with praise. An Emmy nomination soon followed. The Globe and Mail printed an effusive review of the film, featuring side-by-side photos of Polley and Moore, with the caption reading “Polley (left) plays a young neo-Nazi in a movie based on the real-life experiences of Elizabeth Moore (right).”

Journalist Doug Saunders quoted Elizabeth as saying the film “accurately” represents her real-life experiences:

“Although the film is nominally fiction, Moore has found it an unnervingly accurate portrayal of her experience. “I’ve watched the film now about six times and I’ve never gotten through it without crying,” she said.”  

IMG_1739

The trouble is, the “True Story” depicted in the film that was released in 1998 does not belong to the woman whose name is on the contract. 

 

white-lies-uk-cover TRUE STORY

In 1993 I was a teenager recruited into the ranks of Canada’s most dangerous white supremacist group, the Heritage Front. I was the only girl in the core of the movement, and was groomed for a leadership position. I wrote articles for their magazine Up Front, gave speeches at rallies and spoke to the press on their behalf, including representing the organization on the Montel Williams Show.

I was sixteen years old when I met my new father figure, Front leader Wolfgang Droege, and was introduced to notorious Holocaust-denier Ernst Zundel, who welcomed me into his townhouse on Carlton Street in Toronto. As an abused, poor, runaway teenager who emigrated from communist Romania five years earlier and whose father died two years after that, I didn’t have a safe family to look out for me.

This is when Zundel stepped in and became a grandfatherly figure, teaching me that Jews controlled the world, the Holocaust never happened, and Hitler (whose portraits hung from his townhouse walls) was right to eliminate the mentally and physically handicapped, the homosexuals, and of course the Jews.

By the time I turned 17, Heritage Front co-founder and second-in-command leader Grant Bristow (later revealed to be a CSIS mole) started what would become known as the It Campaign – a campaign of terror waged against anti-racist activists and indigenous leader Rodney Bobiwash, who organized protests against the Heritage Front.

Bristow single-handedly instructed dangerous white supremacists tricks of the Intelligence community – how to break into answering machines, impersonate reporters, stalk your victims and terrorize them, disguise oneself to avoid arrest. Those emboldened skinheads embarked on a harassment campaign with street attacks, beatings, car tires slashes, spray-painting and fire-bombings of an aboriginal centre, synagogue, bookstores, the Morgentaler abortion clinic, a Jewish Kitchener woman’s home and Runnymede House, a Children’s Aid group home for young girls.

I knew I had to get away from the Front’s escalation of terror. This realization came on the heels of me admitting to myself that I was gay. As a core insider I had a lot of information I could access, and had earned the trust of HF leaders as well as Zundel himself, for whom I worked as an assistant and errand-girl.

At age 18, I spied on my former friends for four months, handing off my information to Martin Theriault of Montreal’s Canadian Centre on Racism and Prejudice. I stole Zundel’s international mailing list, turned whatever information I could to police, and defected. In March 1994 I appeared as the star witness against Wolfgang Droege and 2 other white supremacists at a trial that resulted in convictions and jail sentences

While I was in hiding and going by a different name in Ottawa (they knew me as Kat), the CBC released White Lies, advertising it as a “TRUE STORY” – the story of another ex-Heritage Front member who joined the group after I defected, Elizabeth Moore.

However, the TRUE STORY advertised by the CBC did not belong to the person whose name was on their contract. 

 

THE EVOLUTION OF A LIE 

A significant portion of White Lies is made up of my lived experiences – proven experiences that were documented in the media at the time, in court transcripts of my sworn testimony at the Heritage Front trial, and a 1994 documentary made for a television show called “It’s About Time.” I would later find out (from Moore herself, no less) that a CBC producer had scoured public records and interviewed people who knew me, in order to fabricate a movie purportedly about Moore.

For the record, I did not consent to any of this. Nor did anyone involved in the production bother to ask permission.

Several scenes in White Lies are derived from this documentary, which was part of a Vision TV series called “It’s About Time”. It was filmed in 1994, shortly after I testified against Heritage Front leaders. I had just turned 19 and was wearing a cheap $20 wig I’d picked up in Halifax to disguise myself, right before I flew back to Toronto for the trial.

This documentary proved critical in Moore’s decision to leave the group. Two decades later, she told me that she still owned a VHS copy.

During a 1995 interview with the Canadian Anti-racism Education and Research Society (CAERS), Moore credits watching it during a Heritage Front Thanksgiving party in October 1994, before “something in [her] snapped” and she decided that she wanted to say the same things I did.

Here’s a clip from that lengthy interview, where Moore talks about that crucial moment and tells how she met with Bernie Farber (coincidentally, also for four months) before parting with the group without any incidents or threats – an interesting admission for someone who just told Macleans that she was “a marked woman” worried about getting “a letter bomb in the mail.” 

At best, White Lies is a gross conflation of two very different young women’s experiences inside a white supremacist organization, with one woman being singularly rewarded and credited as the film’s inspiration, while the other one’s lived experiences are scavenged for profit. 

At worst, it’s an egregious case of exploitation where one impoverished, immigrant teenager’s lived experiences were appropriated by a well-connected middle-class woman who – for the next 22 years – marketed and monetized the movie as exclusively her own story, gaining numerous speaking engagements, jobs in the film & television sector, and even a secondary film role. 

As the years went by, Moore’s appropriations extended beyond the conflations portrayed in White Lies. In September 2017 she appeared on The Agenda with Steve Paikin, accompanied by Bernie Farber, when Farber falsely communicated that she – along with me – had SHUT DOWN THE HERITAGE FRONT, despite no evidence whatsoever to back up such a significant lie. It was the first time either Moore or Farber ever stated such a thing – yet once the lie was communicated, they stuck to it.

Since 2018, Moore has posted photos of her appearance on The Agenda as promotional material across her social media sites. This episode is also the flash opening of Moore’s website; as of today’s date, every visitor to her site is greeted by an automatic replay of the show and its fraudulent statements, paving the way for more speaking engagements and consulting gigs obtained under false premises. 

In January 2019, Moore appeared on CTV’s The Social and represented herself as a “disenfranchised teen” from a “troubled family”, despite multiple interviews over the previous 20+ years in which she had never made such a claim. In fact, the most consistent statement in ALL of Moore’s videotaped interviews and newspaper articles between 1995-2019, is her description of loving parents who paid for her university education and were very supportive and concerned. 

After analyzing White Lies frame-by-frame and comparing it with evidence from public record, court files and recorded interviews of both myself and Moore, I’ve come to believe that as much as 75% of the film consists of events that can be linked back to me. An in-depth breakdown of the most significant scenes is posted in the next section of this article.

Less than 50% of White Lies can be attributed to Moore herself, and consists primarily of her relationship with nice, middle-class parents, fellow university students, and a romantic relationship with a skinhead (being closeted, I never had a boyfriend while in the HF).

Despite all the incontrovertible evidence I’ve compiled – even Moore’s own words – that shows how my life served as inspiration for White Lies, the Canadian press has remained silent, with one notable exception:

In April 2019, the Canadian Jewish News published a misleading article titled “Reformed Heritage Front Members involved in Lawsuit authored by Ron Csillag, a Facebook friend of Bernie Farber. Nowhere in the article does Csillag acknowledge his preexisting relationship with Farber.

Ron Csillag friends with Bernie Farber - Edited

Csillag’s article strives to create a false equivalency between me and Moore, with Csillag reporting that my lawsuit is about “a fictional movie about a fictional young woman who falls in with a fictional hate group.”

Although he didn’t interview me prior to publication, Csillag already had a copy of my Statement of Claim. If he’d bothered to read it front-to-end, he would have realized that my claim does not focus on White Lies itself; rather, it involves fraudulent appropriations made repeatedly since 2017 – well within the Limitations Act. White Lies serves only as the principal conduit that kick-started and enabled a 20+ year appropriation of my identity. 

As of today’s date, producer Dennis Foon’s website continues to allege that White Lies is inspired by “a high school girl, Elizabeth Moore” – and no one else. Despite Moore’s email admission in which she states that Foon researched my life for OVER A YEAR, and despite evidence that he recreated several of my lived experiences, the CBC has done absolutely nothing to address or correct this blatant exploitation of my life. 

Since 2015 I have made repeated attempts to contact Foon. Other than blocking me on Twitter, he has refused to acknowledge that I exist – much less add a single line to credit me for also inspiring his derivative film, or apologize for the fact that my life was scavenged for his script.

His fellow White Lies director Kari Skogland has also ignored my messages – something I didn’t expect from the female director of the acclaimed adaptation of Margaret Atwood’s bestseller The Handmaid’s Tale – ironically, a story about impoverished, powerless young women being exploited.

Dennis Foon IMG_1692

In the ‘Bonus Feature’ of the White Lies DVD, Foon gushes about how excited he was by the prospect of making a film about a “normal”, “educated”, regular, “middle-class” white girl from the suburbs, with “nothing particularly deviant or crazy about her” (i.e. not abused, poor, gay or particularly vulnerable, as I was) who attended university being caught up in the white supremacist movement.

Before I forget – Dennis Foon is also a Facebook friend of Bernie Farber’s, whose name shows up in the film credits. 

Dennis Foon Farber friendship

For a long time I was upset with the producers who participated in what I view as a blatant exploitation of my life – the life of a girl who did something brave but had no prospects, protection or legal representatives to ensure that her life would not be cannibalized and used to profit others, while she herself lived in abject poverty.

Only in the last couple of years, as I started digging into Elizabeth’s inconsistent narrative in anticipation of my lawsuit, did I realize that her attempt to deflect all blame onto Foon had been a lie.

Early in 2019 I was given a copy of the 1995 CAERS interview with Moore, a nearly 2 hour-long recording. After watching it, I came to believe that Elizabeth’s appropriations started 3 years before the film’s release. This discovery suggests that from the start, Elizabeth provided the filmmakers with a fraudulent depiction of her life inside the Heritage Front – not an accurate representation of her lived experiences but rather a conflation of my unique story with her own. 

In sum, White Lies is not a fictional story. While some characters and events have been conflated or fictionalized, it is heavily inspired by what took place in Toronto in the early to mid-1990s – enough to have the label “A TRUE STORY” printed on the VHS cover.

A STOLEN LIFE – Breakdown of Appropriated Scenes 

The majority of scenes in White Lies are derived from my lived experiences as a teenage girl who rose up the ranks of a white supremacist organization, turned against them, spied on its leaders, and defected.

1. The opening scene is based on a 1993 incident at Riverdale Collegiate which generated HUGE publicity in Toronto at the time. The high school auditorium was filled with youth attending an anti-racist event where Martin Theriault, the man who eventually helped me defect from the group, was the headlining speaker.

Howard Gotlib, the former principal of Riverdale Collegiate, remembers that I was present at this meeting. Janice Dembo, a former employee with the Toronto Mayor’s Committee on Race Relations, also remembers me walking up to the microphone to ask Theriault a question. 

Riverdale collegiate anti-racism rally 1993

One World Week - Riverdale Collegiate recreation

2. Scene where teenage “Catherine” submits an essay to her teacher and is given a failing mark is taken from an incident I was questioned about in my 1994 trial cross-examination, where I spoke of an essay about Anne Frank that I submitted for my ninth-grade class at Jarvis Collegiate Institute, which had upset my teacher.  

1994 trial transcript page25

  1. The scene where teenage “Catherine” sends an essay titled “Christmas is Dead” to the neo-Nazi group “NIM”, short for National Identity Movement, (a composite amalgamation of the Heritage Front and Ernst Zundel) is taken directly from the essay I wrote for Up Front magazine’s inaugural December 1991 issue. I was sixteen years old when I wrote it under the alias “Elisse Deschner” and it was called “A Politically-Correct Santa?”  

White Lies Christmas Santa collage

4. Scene where teenage girl “Catherine” is introduced to the Mrs. K, NIM’s German-born leader who is modelled after Ernst Zundel and played by Lynn Redgrave. “Catherine” quickly becomes Mrs. K’s protégé and begins to work at her house, recording videos and eventually becoming the fresh, young face of the group. – I worked for Zundel as an assistant and even stayed at his place a few times when my home life was unsafe. I helped him with mail-outs, donors correspondence, folding booklets and newsletters, and organizing his books and videos.

Screenshot 2020-01-31 at 12.17.37 AM

5. Teenage “Catherine” quickly rises up the ranks and becomes an official spokesperson.

I represented the Heritage Front in multiple interviews to the press – both in Canadian media and internationally. Here are photos of me at 17 speaking to the CBC and appearing on The Montel Williams Show, as well as a photo of me, age 18, standing side-by-side with my mentor Wolfgang Droege, in a 1992 Globe & Mail article that describes me as the Heritage Front’s softer, female face.

Hategan interview CBC

Elisa on Montel Williams Show

Elisa and HF leader Wolfgang Droege

image2 - Copy

  1. “Catherine” records messages for the group and distributes flyers – aside from also distributing flyers (everyone did), I am the only woman who ever recorded messages on the official Heritage Front hotline. Elizabeth Moore never did. All the messages she wrote/recorded were on a separate, proxy hotline called the “Euro-Canadian Freedom Front” based in Kingston, ON, but not on the actual Heritage Front line.

  2. “Catherine” attends rock concerts and rallies – this scene is derived from the Roma Restaurant concert on November 13, 1992 where the band RaHoWa played. I was videotaped giving a speech that night, right before the concert started – you can see the band equipment and drum set in this photo.Elisa Heritage Front talk 1992 Roma Restaurant

Elisa Heritage Front June1992

Elisa HeritageFront rally2

8. “Catherine” attends KKK rallies – I attended 3 such rallies between 1992-1993, two in London, ON area on Martin Weiche’s property (including the one pictured below) and one in Michigan, USA, at the memorial of Pastor Bob Miles – closest to the experience depicted in White Lies. At the Michigan compound, I witnessed white supremacists selling guns illegally, firing them, and one of the Heritage Front men I drove with smuggled an illegal gun back into Canada. This incident is described in one of the 1993 affidavits I gave to the Ontario Provincial Police.

cross-burning 1993

9. “Catherine” gets trained to fire weapons – at age 17 I was trained to fire a shotgun and used a .22-calibre rifle I received from another HF member (mentioned in a 1993 affidavit), a similar rifle to the one Sarah Polley fires in the movie. Moreover, I owned a registered Firearms Acquisition Certificate (FAC) which I was forced to relinquish as a bail condition after my 1993 arrest on charges that were dismissed in 1994. My weapons training is discussed in my 1994 “It’s About Time” documentary – scroll up for it. 

Sarah Polley shotgun White Lies

10. “Catherine” gives speeches and is filmed for publicity campaigns. Later, as “the new public face” of NIM, she participates in a TV interview in which she discusses the issue of repatriating immigrants back to their homelands and mentions Louis Farrakhan in her answer to justify racial separation – reenacting nearly verbatim my answer to Montel Williams’ question in November 1992, at age 17 – five years before White Lies was made.

While under the careful watch of NIM’s male leader (a character based on Wolfgang Droege), Sarah Polley parrots my answer while wearing a grey top and white shirt, the same outfit and hairstyle I wore on The Montel Williams Show.  Even the background set, with its three panels divided by black columns with tiny horizontal lines, appears to have been replicated in White Lies.

Elisa Sarah Polley White Lies collage

11. “Catherine” visits a member of NIM in prison: I believe this scene is inspired by my conversations with Zvonimir Lelas, a member who spent a year in prison for spray-painting synagogues, and told me how the movement had betrayed him. I also joined Front leader Wolfgang Droege when we tried to visit the Metzgers of White Aryan Resistance while they were incarcerated at the Don Jail. Here’s a photo of me protesting outside the jail on that day, filmed by a local news crew. IMG_1743

12. NIM’s leader is involved in courthouse battles – these scenes are derived directly from Wolfgang Droege’s Toronto court appearances and clashes with Anti-Racist Action, where I was filmed accompanying him. 

Screenshot 2020-01-31 at 12.23.52 AM

Wolfgang Droege and Elisse courthouse1Wolfgang Droege and Elisse courthouse2

13. “Catherine” witnesses and takes part in a beating, and her group is involved in fire bombings. In “It’s About Time”, I talked about an incident in which a man was almost beaten. Also, while I did not witness the firebombing of Mona Zentner’s home in Kitchener, I was quoted in articles and on CTV National News in relation to my belief that the Heritage Front was responsible – this is part of my 1994 trial testimony.

The firebombing of NIM’s headquarters was inspired by the 1995 firebombing of Ernst Zundel’s Carlton Street townhouse, known as The Bunker. 

Kitchener Mona Zentner house firebombing

14. Teenage “Catherine” infiltrates left-wing organizations – In my House of Commons testimony on June 13, 1995, I testify about Bristow pushing me to spy on left-wing organizations. “I was directed by Grant Bristow to obtain information on legitimate organizations in Toronto such as the Irish Freedom Association, North American black nationalist groups and others. Bristow told me he wanted to build a file on these groups.” […] “He also knew that I was a supporter of the Irish nationalist movement and that I had gone to a meeting of this organization called the Irish Freedom Association. He was very curious about that, so I provided him with written documentation of names, addresses and things I had researched. He wanted me to continue that as well. It was just intelligence-gathering.”  

15. Teenage girl is horrified at the escalation of violence against innocent people and decides to approach an anti-racist activist for help – This is based on experiences detailed in my 1993 affidavits involving the It Campaign spearheaded by Bristow, repeated in my 1994 trial testimony and “It’s About Time” documentary, and 1995 House of Commons testimony:  

“Starting in the winter of 1992, I first became aware of a massive terror campaign on our group’s part, targeting anti-racist groups and individuals. It was launched by the head of the Heritage Front intelligence, Grant Bristow. Front members and supporters were approached and encouraged to go after designated targets. I was one of those approached by Grant Bristow. In the first weeks of January 1993 several individuals would get phone calls day and night from supporters or members of the Front in order to make their life miserable and create a climate of tension and fear. Such a climate was used to stir up a potential confrontation with members of anti-racist groups.” […]  Grant Bristow was the coach and the designer of the campaign, which lasted until my public defection to the Canadian Centre on Racism and Prejudice in November of that same year.” 

Terrorism Heritage Front

16. A conversation between NIM leader and “Catherine” in a diner, where he hints that NIM had something to do with recent terror attacks – This reflects my conversation with Wolfgang Droege, which made me believe they were behind the recent fire-bombings in Toronto and Kitchener, and is part of my 1993 affidavits and my 1994 interview with CTV National.

17. Teenage “Catherine” works with anti-racist activists and “proves herself” by turning over a membership list she downloads from Mrs. K’s computer – I stole a partial membership list while stuffing envelopes at Ernst Zundel’s house and turned it over to Martin Theriault. My spying and stealing of membership lists from the HF and Zundel was mentioned in my court testimony, as well as touched upon in the 1994 “It’s About Time” documentary.

Reenactment of Hategan stealing Zundel files

18. Teenage girl defects –> I was 18 when I defected; Elizabeth left uneventfully at age 21, deciding to leave on the very night she watched the “It’s About Time” documentary about me.

Moore experienced no threats or harassment as a result of leaving the Front. Her self-described “defection”, along with her claims of endangerment and being a “marked woman” in the 1995 Macleans article that caught the eye of CBC producers and led to the White Lies movie deal, are a fraudulent appropriation of my lived experiences.

IMG_1761

Hategan spies on the Heritage Front

HF leaders convictions after Hategan testimony

19. There is a secondary, fictitious character named Erina who ultimately commits suicide – another instance where something that happened to me is ripped from the headlines and rolled into the film. News about my suicide attempt at age 18 came out during my cross-examination at the trial of Heritage Front members; articles describing it were published in the Toronto Sun and other newspapers. White Lies, of course, exploited it.

Elisa ToSun suicide attempt

If White Lies contains a SINGLE scene that is derived from my lived experiences and not Elizabeth Moore’s, the film should not have been mass-marketed as “The true story of Elizabeth Moore” or “Based on the real-life experiences of Elizabeth Moore” – either by the film producers, the CBC, or Moore herself for the last 25 years. In my view, such advertising and profiting from my experiences is fraudulent and morally unethical. 

However, this is exactly what happened. As you can see in this breakdown, it wasn’t just one scene but more than a dozen, which encapsulate well over 50% of the film.

White Lies was viewed by millions of people across Canada; I have no way of knowing how much was earned through VHS and DVD sales (or spinoff speaking engagements), or if Moore received any royalties.

Even after cross-examining Moore in September 2019 as part of the lawsuit, she was unable to produce a single photograph of herself in the company of Heritage Front members, or any proof that she had been an official member – much less authenticate that White Lies represents her experiences. Outside of her brief appearance in Hearts of Hate, a documentary that featured dozens of white supremacists, there is no proof that she ever did more than write a handful of articles and operate a Kingston, ON telephone hotline before selling the rights to “her life story”.

CONFRONTING MOORE — “THE TRUTH” EMAIL 

In January 2013, I received an email from Elizabeth. She had read one of my books and wanted to connect. We had never actually met inside the Front because she joined their ranks around November 1993, right after I defected and went into hiding. We were both excited to meet each other. Over the next couple of years, we became good friends and talked about each other’s experiences within the Heritage Front at length. Elizabeth read my 2014 memoir Race Traitor and praised it, telling me that after my defection she had not been brought into the leaders’ confidence as I was, “because they didn’t want to trust another girl with sensitive info”. 

Moore FB convoFor two years, I didn’t have any reason to question Elizabeth’s motives or suspect that White Lies was not based on her life. That is, until February 2015 – when a conversation I’d had with her days earlier prompted me to google and find the film on YouTube. Just minutes in, I was struck by the horrific realization that the scenes playing out before my eyes were not renditions of Elizabeth’s experiences, but my own. 

It was a devastating blow – in one night, I came to understand that my story had been abhorrently exploited by the CBC and Moore herself, the woman I’d come to regard as my best friend.

When I confronted Elizabeth in an email she did not deny it, instead heaping all blame onto CBC producer and scriptwriter Dennis Foon: “What Dennis learned about you came from legit sources like court records, newspaper articles and talking to many people who knew you then. He did over a year of research on this and it certainly went far above and beyond me, my story, and what I could share.”

Elizabeth Moore confession White Lies

I was in shock. Not only had I just seen some of my most painful teenage experiences reenacted on screen, but the woman I’d considered a best friend actually ADMITTED that my life HAD inspired the movie – the movie that was credited exclusively as Moore’s life story, the movie she’d made $12,500 from (in today’s economy, close to $19K according to Bank of Canada’s inflation calculator) and which had earned her follow-up projects and speaking gigs. 

The years passed, but I refused to stop speaking about it. It was all I could do to bring awareness to the situation, since the statute of limitations to sue the CBC had passed. Moore started cyber-stalking me relentlessly; some days I’d see her IP on my blog 5 or more times a day. I called her a stalker, and that’s when she started telling people I was harassing her. Unsure if she planned to use White Lies to market herself in the future, I bought a bunch of previously-unregistered domains I thought she might use for a website, which stoked the animosity between us.

But then Charlottesville happened. Seemingly overnight, the press latched on to the reality of white supremacy posing a threat (something I’d written about since 2011), and governments started doling out huge grants to pretty much any organization that could slap together a decent proposal to show they were tackling white nationalism and hate. Predictably, a new speakers market was created, replete with income opportunities for former extremists with a story to sell. 

Within days of Charlottesville, Moore appeared on the front page of the Ottawa Citizen, represented as “The pretty, public face” of the Heritage Front, its female spokeswoman (she never represented the HF as a spokesperson) and that White Lies represented her experiences. Bernie Farber, ever the kingmaker, had connected her to Blair Crawford, author of this error-ridden endorsement, with the wildly hyperbolic statement “Her story his (sic) unique and a huge lesson for humanity.”

Moore also told the Citizen that she had been “the only white student” in her class, a falsehood she would repeat between 2017-2019, both to the press and during speaking engagements. Incidentally, after 2 years of investigating her backstory, I’ve found no records of Moore ever making this claim prior to 2017, and her high school yearbook shows several other Caucasian students in her cohort. She lifted this line verbatim from my 1994 court testimony (which she attended, taking notes) and my 2014 memoir Race Traitor, where the line is repeated.

White kid line court testimony

Farber endorsement

One month later, Moore and Farber appeared on The Agenda with Steve Paikin, where Farber made the stunningly fraudulent claim that Moore had been “The Face” of the HF, and that she (along with me) had “SHUT DOWN the Heritage Front”. At no time in the last 25 years had that statement ever been said about Moore, but they doubled down and ran with it. 

Within months, Moore created a website where her biographical section appropriated my experiences in the Heritage Front. For her website banner, she uploaded the September 2017 episode of The Agenda and set it to auto-play, ensuring that all visitors would hear Farber’s lies and believe she was responsible for shutting down the group I risked my life to dismantle.

She followed the bulk of my Twitter journalist contacts, Jewish community and synagogue friends, as well as my criminology and extremism-related followers and tried to immerse herself in the field. She described herself as “The verifiable inspiration for White Lies” across several social media platforms – going so far as to tell one Reddit user that White Lies was “100%” her own story and implied that I had been “a troubled young person” who identified with her experiences, rather than the other way around.

Within a year, she launched full-steam ahead into a new career as a public speaker, consultant and “expert educator” on far-right extremism, despite the fact that unlike me, she had never studied criminology and terrorism or worked/volunteered inside the criminal justice system.

Just like in the 1990s, this newly-resurrected career was established on a foundation of fraud and appropriation. And while she was featured in several high-profile interviews that led to paid speaking engagements, not a single journalist questioned her narrative. 

IMG_1749

In December 2018 I initiated legal proceedings against Moore, and in February 2019 my lawsuit was amended to add Bernie Farber, the man who facilitated and endorsed her career over the last 25 years, the man who invited her to join the Canadian Anti-Hate Network’s Board of Advisors as an “expert” on the far right, who promoted her to journalists, secured the majority of her speaking engagements, and lied for her on The Agenda with Steve Paikin.

(BTW, Steve Paikin also happens to be a friend of Farber’s. In an email Paikin sent me in June 2019, he admits he’s known Farber for 25 years.)

Moore Farber CAHNA CAREER BUILT ON A FOUNDATION OF FRAUD

Why did I sue Farber? I believe Bernie Farber was integral in maintaining the fraud. He provided Moore with important recommendations, connections to journalists, and the full endorsement of the Canadian Jewish Congress during the time he was Executive Director. Just as he is doing today as the Chair of the Canadian Anti-Hate Network, Farber used his credentials and the Jewish Congress’ reputation to promote Moore and involved her in several CJC initiatives spanning a decade which generated publicity for both of them, thereby ensuring that Moore’s fraud remained unquestioned until I commenced litigation.

Elizabeth Moore couldn’t have done what she did for as long as she did it without the assistance of somebody like Bernie Farber or fellow CJC director Len Rudner (currently a Board member of CAHN), who were tasked to represent the Jewish community and – either unknowingly, negligently or intentionally – used their reputations to endorse a fraud (who also happened to be Rudner’s mistress at the time). Farber is as culpable, in my judgement, as Moore herself is in the unauthorized exploitation and monetization of my lived experiences.

Farber did not submit an affidavit in his defence, and therefore could not be cross-examined. I have no idea if he was paid for his participation in White Lies, but his name appears in the film credits and he profited from the publicity blitz that followed its release. 

Farber White Lies credits

Since 2015 I’ve researched Moore’s narrative in depth and I can state with utmost confidence that her involvement with the Heritage Front – during the time she claims she was a member – was NEVER documented in any news articles or media, with the singular exception of Hearts of Hate, a documentary that also featured me and dozens of other neo-Nazis. She never represented the Front as a spokeswoman. There is absolutely zero evidence that Moore “rose up the ranks” to become the Heritage Front’s “pretty, public face” and “mouthpiece”, as she claims. 

Moore also alleges that she was a teenager when she joined the Front (in one article she told a journalist she was 16, in others 17 or 18). These statements are false and plainly contradicted in her first article in Up Front magazine, a letter-to-the-editor that she mailed to the Front’s PO Box in 1993, prior to meeting any members in person. Using her middle name initial as an alias, Moore writes “I have yet to join the Heritage Front” because she perceived them to be sexist. She was 19.6 years old.  

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By the time Moore met any Heritage Front members in person, she was 20 years old. She herself admits this in an essay that has since been scrubbed from the internet but is published in at least one textbook – a 1997 essay titled “From Marches to Modems” which she wrote for a Bernie Farber-published report for the City of Toronto. “Elisse defected from the Heritage Front about the time I became active,” she writes.

I defected in November 1993, the month Moore turned 20 years old.

In a 2011 documentary titled “In God’s Keeping produced for her Ryerson University MFA in Documentary Film, Moore is captured on film saying she became a neo-Nazi not as a teen girl, but “in my early 20s“.

Moore Marches to Modems 1997

Excerpt from Moore’s 1997 essay “From Marches to Modems”, published by Farber

Moore was never a speaker at rallies – I was. All Heritage Front rallies were filmed, with the videotapes sold through a mail-form and at meetings. Moore does not appear on any archival tapes, because she never made a speech. She also never had access to Ernst Zundel’s data and I doubt she was in his townhouse more than once or twice. 

Even after being asked for material evidence as part of this lawsuit, Moore has not produced a single photograph of herself in the company of Front members, any corroborating affidavits, videotapes or evidence of herself either speaking at rallies or a single instance where she represents the HF as a spokeswoman. Farber himself has not provided a sworn affidavit to even attempt to corroborate her story.

Moore cannot even produce a Heritage Front membership card, despite claiming in her 2018 Macleans op-ed that she was “a card-carrying member” within months of being age 17 – in sharp contrast to her 1994 Up Front article where, at age 19 and six months, she confesses that she “has yet to join” the group.

What Moore does have in her possession, however, is a VHS copy of my “It’s About Time” documentary. I have no idea how many times she has watched it.

Facts don’t lie – throughout the year Moore was actively involved with the Heritage Front (approx. November 1993 – October 1994), she lived in Kingston, ON and attended Queen’s University. She was a 20-year old woman, and not the teenager depicted in White Lies. Although she wrote a handful of articles for Up Front, she never recorded telephone messages on the Heritage Front’s official hotline. Instead, she operated at arm’s length in Kingston, running a backup, alternate phone line called the “Euro-Canadian Freedom Front.” 

Over a period of 20+ years, Elizabeth Moore systematically changed the backstory of her time in the Heritage Front to align more closely with my experiences. Across the years, there have been dozens of inconsistencies and contradictions in Moore’s narrative about WHEN she joined, WHY she joined, WHAT SHE DID in the Heritage Front and WHY SHE LEFT, in her attempt to conflate her story with mine.

I believe that her most recent appropriation – the 2019 claim she was a “disenfranchised” and “troubled teenager” – is an attempt to elicit sympathy and add mitigating factors to her story, because the idea of a privileged, adult woman who suffered no beatings or abuse, and whose loving parents paid for her university education, is not as palatable to an audience that seeks to understand why youth are drawn to extremist organizations. 

In order to gain fame, enhanced credentials and portray what would otherwise be an insignificant role and non-dramatic experience, Moore appropriated sensational aspects of my life and build a platform where she profited from speaking engagements, a movie dramatization, documentary roles and other forms of monetization and publicity.  

WHAT IS A LIFE WORTH?

What would you do if someone stole your name and SIN number, and took out credit cards in your name? What if this individual built a business and career from your name and reputation? 

This would be identity fraud. You’d go to the police, and chances are you’d get assistance.

But what if someone did this for 25 years, and nobody cared? And you couldn’t fight back because you didn’t have the money to seek justice, or because the justice that could help your case has not been written yet?  Because he didn’t actually steal your name, per se. He stole everything else that makes up your identity: your lived experiences, the worst years of your life, the terrible things that defined you.

What if this identity thief built a veneer of respectability and authority in the community, and nobody believed you? What effect would this have on your psyche? On your view of justice and fairness in this country? 

What if, one day you watched a movie and saw YOURSELF reenacted on screen, but another individual credited as the film’s sole inspiration? 

What if you saw your identity thief get paid projects, media attention and praise after claiming to shut down a group they were barely affiliated with – a group that you actually risked your life to dismantle?

What would you do if you were denied publication in an academic textbook, but the person who stole your identity was included? 

What would you do if all the articles you wrote for a popular blog over a 4-year span were deleted after the man running it became financially supported by the same network of individuals who endorsed your identity thief?

What would you do if you didn’t have the money to fight back, and all the lawyers you contacted told you that there’s no precedent for your case because as long as someone doesn’t use your actual name, there are no laws on the books to prevent someone from stealing the unique events and personal characteristics that define your identity (down to your religion and sexual orientation) and passing them them off as their own, for profit? 

What would you do if the public believed that those who exploited your identity are the good guys, and you are the liar?

What would you do if you were being countersued for defamation by the person who stole your identity in the first place? 

Would you have any faith left in the justice system? Or would you share your story with every breath in the hope that someone, somehow, someday would just look at the evidence? 

An artist’s song or a writer’s book is their intellectual property; I could not, for example, take CBC’s “White Lies” and sell it as my own product because it would violate copyright law. And yet the film producers took my life from public record, reenacted it and sold it legally as their own product. By working with those producers, and representing herself as the exclusive source of the “true story” it was inspired by, Elizabeth Moore was effectively able to steal my life.  

What would YOU do if another individual stole your life story, sold it as her own “life story” and marketed it for the following 25 years?

I’ll tell you what would happen: 

You would lose hope. Hope in justice, in the legal profession, in this country where you tried to do the right thing but were exploited, over and over again. 

After having lived through all of this, you would feel that shouting your story from the rooftops is an act as crucial as breathing. 

I have nothing left but the truth – and I won’t have them steal that from me. Not anymore.

A WRETCHED LITTLE IMMIGRANT GIRL

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In this 1994 jealous diatribe published in Up Front magazine, Moore calls me a “Wretched Little Immigrant Girl” and ridicules me for testifying against HF leader Wolfgang Droege and two other members – a testimony that resulted in convictions and jail sentences, and contributed directly to dismantling the Heritage Front.

How ironic that in 2017 – 23 years after writing that article – Moore and Farber rewrote history by telling Steve Paikin and the Canadian public (for the first time ever) that Moore herself shut down the Heritage Front.  

What’s actually wretched is my experience of the justice system in this country. As a teenager, I risked my life to testify against three dangerous white supremacists. Despite the threats on my life and being responsible for 3 convictions, I wasn’t admitted into the Witness Protection Program; at only 18, Canadian authorities didn’t give a hoot whether I lived or died.

Conversely, Grant Bristow – who counselled many Heritage Front members to commit crimes and himself engaged in criminal activity, whose 5 years of well-paid undercover work resulted in NO arrests and convictions of any Canadian white supremacists – got away with it. In fact, he was given a house, 2 cars and a $3000-per-month stipend for several years after being relocated into the Witness Protection Program.

And yet, despite all the anti-racist community activists who were terrorized by Bristow’s harassment campaign, Bernie Farber invited him to participate in a 2011 speaking engagement where he received a standing ovation, and referred to Bristow as “a friend” in a 2017 Toronto Star article.

Farber Bristow endorsement TOStar 2017

As an adult, I witnessed a privileged woman and her well-connected friend profit from my lived experiences through a movie deal, speaking engagements and endless publicity – while I suffered the psychological and economic effects of the life she marketed as her own.

By stealing my teenage experiences, by taking credit for and appropriating my painful past, Moore took the only thing I ever did right, the one thing that made my whole wretched miserable life worthwhile — the knowledge that, despite everything I ever endured in my life — the abuse, the danger and threats against me by the neo-Nazi family who had groomed and exploited me — that I made a difference.

She took the only thing in my life that I felt the most proud of and turned it into a monetizing ploy to advance a false narrative because she didn’t have a marketable story of her own.

WHAT IS THE MEANING OF EVERYTHING?

A suicide attempt early in 2016 left me hopeless that I would ever see justice. I started to wonder why this struggle to bring awareness of my exploitation had become EVERYTHING to me. What was my life lesson? Why fight so hard for something nobody else cares about, at the cost of my health? 

Then, in December 2019, it finally hit me. Awake in bed, crying myself to sleep, hopeless and exhausted, I suddenly understood why.

All my life I wanted to push mine away, to repress everything that happened. For forty years I pushed away from the shores of my identity, while the real me watched from a darkened coastline, not knowing whether I’d return.

For forty years I was the little matchstick girl, standing on tiptoes in the snow outside a beautiful mansion, peeking into a world where I’ve never belonged. No parent helped me do my homework, packed my lunch or ironed my school uniform. No one celebrated my small victories or wept over my petty defeats, over the courtyard bullying or the horrible names kids love to call outsiders. If I was hit or called names, surely it was my fault. 

All my life, I ran away from my epigenetic hurts. I hid from life the way my deaf father Iosif, a brilliant painter whose work was never recognized by the hearing community, let his broken dreams turn into rage. Just like his mother Ana before him, cast off at age 19 with a baby because she wasn’t ethnically Hungarian – because speaking perfect Magyar and going to an Austro-Hungarian finishing school couldn’t scrub the Romanian from her blood, the barbed wire, the Jew from the coarseness of her hair. They changed their name, lied about their Jewish identity the way I hid my identity when I was a teenager on the run. 

Sometimes it’s easier to become the Other, the one who would otherwise break you. When you have no more skin left to grow another scab, healing becomes impossible. Sometimes it’s easier NOT to heal – because healing or forgiveness means acknowledging you are a victim.

For some, this acknowledgement has the power to take your breath away and crush you right back into the dirt you came from. Deep inside, you know that if you faced the truth of your victimization, you might never get off your knees. Sometimes it’s easier to become the enemy. That’s what happened to me as a teenager – a half-Jewish girl who became a neo-Nazi.

It was a surefire way to run from my past and feign the brutality of the aggressor, to go from powerless to powerful in a world where, for the first time in my life, I was the bully instead of the bullied – a strong and vengeful Athena instead of the wounded little girl I saw every time I looked in a mirror. 

So I dyed my curly dark hair red in an effort to look more “Aryan”. I tried blue contacts to cover up my brown eyes. I hated my nose and Romanian accent, the predictable “Where you from?” that seemed to follow me. But the Heritage Front still accepted me, because they fed on my pain – because the more I hated, the more my racist family loved me. 

The years I spent in hiding did nothing to improve my faith in justice. In 1994, while living at Adsum house, a homeless women’s shelter in Halifax, I signed up for a two-day intensive GED exam. I was nineteen years old, a ninth-grade dropout with no prospects, no family and no protection, living on the run after testifying against three high-profile neo-Nazis. At night, I still remembered the coldness of the knife held against my throat when Front leaders had questioned me about being a rat. 

A month later, my high school equivalency diploma, conferred by the Nova Scotia Board of Education, arrived in the mail. Less than a year later I would be accepted as a mature student into both Carleton and the University of Ottawa, and I’d choose the latter for its prestigious criminology program. By studying the psychology of crime and youth/women’s involvement in gangs and extremism, I hoped to get a better perspective on what had happened to me.

The hardest part of my university application wasn’t the arduous student loan application I had to complete, figuring out what my next meal would be, or starting a new life in a new city, using yet another alias and hoping that I wouldn’t be tracked down by the men who threatened my life – but coming up with two required reference letters. I was too ashamed to ask for help – scared of disappointing others if I failed, and wondering if anybody would see a modicum of potential in me, enough to vouch for my academic aptitude. 

Even with the help of student loans, I worked two jobs between classes – one under the table at a souvenir shop on Sparks Street, the other at Mags & Fags, a magazine & tobacco shop on Elgin. I was a regular at the Bank Street food bank and an occasional dumpster-diver. During this exact time, the CBC was making a movie based on the painful memories I was struggling so hard to repress. 

White Lies came out in the year of my second suicide attempt, the year I was first prescribed Prozac and could finally get through a night without PTSD-induced nightmares. While Moore was basking in a publicity blitz and CBC producers were attending Emmy and Gemini galas and getting nominations for a film that wouldn’t have existed without me, I did my best to block out my teenage years and pretended I was a different, normal girl. It was the key to my survival.

In 1998 I was living in a student rooming house and didn’t own a television set. I’d heard that the CBC had made a movie about Moore, but I don’t remember seeing the whole thing. Nor did I want to see it. It is entirely possible that I may have seen parts of it or a commercial, and blanked it out. 

Even after I clawed my way through university, winning scholarships, a place on my university’s fencing team, graduating magna cum laude (majored in criminology and psychology) – I didn’t feel I was enough. I hadn’t done it balletically, I didn’t glide through school with the flawless confidence of a girl whose achievements are celebrated by loving, devoted parents. No. I sweated, fought and bled for everything I earned.  

And so, as I lay in bed last month asking myself why I was fighting so hard to pursue a lawsuit with no precedents, despite the excruciating stress and the thousands of dollars it has already cost me – it came to me, an answer as luminous as the North star on that frozen December night:

For the first time in my life, I am fighting to be ME. Me – with all my scars, my accent, my shaking voice. I’m fighting for the truth, for my identity. No matter how ugly my past was, I am taking it back from those who appropriated it for profit. 

truth voice shakes meme

WHY I AM FIGHTING BACK

For $137, any Canadian can legally change their name – but the essence of your identity and likeness is not mutable or changeable because it is made up of unique lived experiences that compose the fabric of who you are.

I believe that human beings are more than a name – that, in fact, we are the product of our life experiences.  The sum total of who I am is not just my name – it is the combined sum of my lived experiences: my trauma, my courage, my fears, my faith and religious identity, my troubled youth and formative experiences, the events that I lived through and survived, the threats I endured and the challenges I’ve had to overcome. All of these experiences form my identity. 

So who am I? The hungry child on the streets of Bucharest? The scared teenager held at knifepoint? The young woman who tried to do the right thing only to see an agent provocateur’s crimes get covered up by CSIS, and unscrupulous filmmakers & profiteers exploit her life with impunity?

I am all of them. Like a dandelion bursting through the asphalt, I am defined by my survival, rendered courageous at the broken places. 

And now, the irony of fighting for my life – a life I hated, tried to end, depreciated for a lifetime; a life that had no worth for me beyond the pain that others sought to sensationalize.

Only then did my will to live kick in – to do this for the hopeless, the voiceless and unconnected, the underdogs whose stories go unheard, who can’t afford to fight back through the legal system. The poor and exploited who don’t have journalists in their back pockets and bands of cronies backing up a fraud. 

I am doing this for my dead deaf father – who didn’t think his artistic talent was good enough so he flawlessly reproduced the paintings of Impressionist masters; who grew embittered after being bullied by village boys, beaten by a world that doesn’t listen to deaf-mutes and immigrants, so he became the beater.

I am doing this for my dead deaf mother – raped as a young girl by villagers who thought she was an animal, who herded goats barefoot and slept in a barn, who was seen by her own mother as worthless, who never got justice so the anger coiled inside her breast and struck out at the world, passing its venom into her own child throughout a life entwined with misery and suffering.

I am doing this for me, despite the outrage and insults coming from activists who scorn me for suing people they consider worthier than me, above-reproach, whose character is never scrutinized while mine lays dissected, trampled in the mud. I am a wretched immigrant girl after all, and in this country the weight of truth depends on the perceived worth of those who speak it.

I am doing this for ME.   

All things and beings have their own, intrinsic, value – that is my lesson. 

Even the most “worthless” life, in the end, matters. 

Yes, even mine. 

 

Posted in canada, cbc, crime, csis, dennis foon, elizabeth moore, grant bristow, heritage front, history, identity, jewish, journalism, life, movie, news, politics, press, rodney bobiwash, sarah polley, truth, white lies | Tagged: , , , , | 5 Comments »

White Lies is based on Elisa Hategan’s life

Posted by E on March 6, 2018

white lies is based on elisa hategan

White Lies is based on Elisa Hategan’s life

For the record, Canadian Broadcasting Corporation’s 1998 movie White Lies, starring Sarah Polley, is based on my life. I have all the verifiable news clippings to prove a vast majority of scenes were based on my life. I also have email correspondence from a former consultant of the film – which demonstrates how the film producer researched my life via court records and interviews with people who knew me at the time, in order to write his script.

Specifically, the scenes were lifted from my 1994 trial testimony against the Heritage Front white supremacists, and my 1995 testimony in the House of Commons, along with the extensive press coverage in the Ontario newspapers that covered my story. When examined frame-by-frame, approx. 80% of scenes from White Lies can be directly traced to Elisa Hategan.

However, I never received any compensation or credit for a movie (an unauthorized biography) that wouldn’t have existed without me. After I testified against neo-Nazis at only 19, and while I was dumpster-diving for survival and begging for spare change on street corners while in hiding, people were making money hand over fist based on what had happened to me. Producers were attending Emmy and Gemini galas and getting nominations for a film that wouldn’t have existed without me, a film that shared MY LIFE with millions of viewers.

Shame on all those who exploited a teenage girl who had nothing but the truth on her side. For more details and to see the articles that formed the basis for the screenplay, please visit my website’s Press Clips section.  

If you’re interested in finding out more resources about radicalization, extremism and the process of indoctrination, or know someone who is at risk of being radicalized, please message me. To book me for a speaking engagement, lecture, keynote or workshop at your event or to request more information about topics of interest, please visit my Speaking page to view options and contact me.

Posted in dennis foon, elizabeth moore, history, news, press, press release, sarah polley | Tagged: , , , , , , , , , , | Leave a Comment »

White Lies: How the CBC Stole my Story

Posted by E on January 10, 2018

In 1998, the CBC (Canadian Broadcasting Corporation) released a movie based on my life titled White Lies, which starred Sarah Polley.

The film producer and script writer, Dennis Foon, collected as many details of my actual life as he could based on trial testimony, newspaper clippings and interviews I’d given in the media, and then decided to produce a movie script inspired in large part by what had happened to me when I was a teenager.

Trouble was, although my experiences were appropriated for the story, I never received any credit or compensation.

So how did this sordid saga begin?

Hategan documentary VisionTVIn 1993 I was a teenager who was recruited into the ranks of Canada’s most dangerous (and notorious) white supremacist group, the Heritage Front. I was the only girl in the core of the movement, and was subsequently groomed for a leadership position. I began writing articles for their far-right publication, Up Front, spoke at rallies and even participated in talk shows on their behalf, such as my appearance on the Montel Williams show alongside White Aryan Resistance leader John Metzger.

I was still sixteen years old when I was introduced to notorious worldwide Holocaust-denier Ernst Zundel, who welcomed me into his townhouse on Carlton Street in Toronto. As an abused, impoverished, often runaway teenager, I didn’t have a home to go to or a family to care for me, and this is where Zundel stepped in and became a grandfatherly figure to me, while simultaneously teaching me that Jews controlled the world, the Holocaust never happened, and Hitler (whose portraits hung from the walls of his home) was invariably right to eliminate the mentally and physically handicapped, the homosexuals, and of course the Jews.

By the time I turned 17, one of the Heritage Front’s leaders, Grant Bristow (later revealed to be a CSIS agent) started what would become known as the It Campaign – a campaign of terror waged against anti-racist and community organizers who stood up in protests against the Heritage Front. Bristow single-handedly instructed dangerous white supremacists tips and tricks of the intelligence community – how to break into answering machines, impersonate reporters, stalk your victims and terrorize them, threaten and disguise oneself to avoid arrest. The emboldened skinheads went out and continued the harassment with vicious street attacks, beatings, physical and sexual attacks, car-tire slashings, as well as spray-painting / firebombings of places in the community such as synagogues, bookstores, and even the home of a well-known Kitchener-area activist and member of the CJC.

I knew I had to get away from the Front’s escalation of terror. This realization came on the heels of me admitting to myself that I was gay. However, as a core insider I had a lot of information I could access, and had earned the trust of the HF leaders as well as Ernst Zundel himself, for whom I worked as an assistant and errand-girl.

So I turned to the other side, spied on my former friends for 4 months, stole Zundel’s international mailing list, turned whatever information I could to police, and defected. In March 1994 I testified against Wolfgang Droege and 2 other white supremacists in the court of law and sent them to jail for the summer.

Although my info had resulted in convictions and I had been threatened with death, I was denied Witness Protection, while Grant Bristow – the CSIS agent whose years of building up the racist empire in Canada had resulted in ZERO arrests and convictions – was retired in the Witness Protection Program and given a brand new house, two cars, a retirement package worth hundreds of thousands of dollars.

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I spent a couple of years in hiding all over Canada, sleeping on sofas, floors and dumpster-diving for food before I finally got my GED and was accepted into the University of Ottawa (from where I graduated Magna Cum Laude in 1999 with a double major in Criminology and Psychology).

While still in hiding and going by a different name in Ottawa (they knew me there as Kat), the CBC was making a movie behind my back. A movie they advertised on their own DVD/VHS covers as a “True Story” – supposedly based on the “true story” of another ex-Heritage Front member, Elizabeth Moore.

WhiteLies SP     White Lies UK cover

I tracked down Elizabeth two years ago, after she messaged me through my website – she’s going by her married name now – and we became friends. Today she is a woman who bears no resemblance to the old Elizabeth who was featured (along with me) in Hearts of Hate. She confessed that the CBC had paid her $12,000 to be a consultant on the movie, and that they based it on her. She told me that Dennis Foon, the writer, had helped her get an agent to negotiate with CBC on her behalf.

I thought I had seen the film, but back in the 1990s I was suffering from PTSD issues and I realize now that I must have only seen a commercial for it. No matter – it was unavailable now anyway, out of print and besides, I didn’t really want to revisit that part of my life or Elizabeth’s. So I let the whole issue go, although a nagging thought at the back of my mind told me that I should really see the film and their interpretation of what had really happened.

And then, voila! last week I found it on YouTube, uploaded by a girl named Brittany and chopped into 10 parts. I watched it closely, with a growing sense of horror, as I realized – for the first time – that the CBC hadn’t actually adapted Elizabeth’s story but my own.

The only things Elizabeth and Sarah Polley’s character ‘Catherine Chapman’ seemed to have in common was a nice, middle-class girl background. Oh, and the fact that Elizabeth had actually dated skinheads back then, while I did not (obviously, because I was a lesbian).

The story of Elizabeth-as-Catherine quickly lost credibility as the movie progressed. Her acceptance by a thinly-veiled Ernst Zundel (played by Lynn Redgrave), who puts her to work for him and grooms her as the new face of the movement, was actually my own experience. Elizabeth never worked for Ernst. I did. She was never the “new face of the movement.” These facts were stated about me over and over in newspaper articles throughout 1992-1995, as well as court documentation – from my trial testimony against Wolfgang Droege and his boys.

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There are scenes where “Catherine” goes to Klan rallies, shooting ranges, and is shocked by the escalation of violence – which makes her turn against “NIM” (which stands for a mash-up of the Heritage Front and Ernst Zundel). At one point toward the end of the film, “Catherine” is directed by a Jewish community leader to steal Zundel’s mailing list – this never happened to Elizabeth, but I did actually take possession of such a list (both from Zundel and Droege’s home).

All of the above-scenes were lifted directly from interviews I did throughout 1993-1995 with CBC, CTV, Vision TV, and various newspapers – notably Toronto Sun, Globe & Mail, and the Ottawa Citizen. 

TO Sun feature defection hategan testimony

I should add that there was a secondary character by the name of Erina who is essentially a used-up ex-NIM member whose only act of protest against the hate movement is to hang herself. The CBC had the nerve to advertise that Erina was based on Elisse Hategan.

Moore shown in Choose Your Voice, 2005

So why pay Elizabeth $12,000 and pass off my story as her own? It’s a tough question, and I speculate it has to do with the fact that I was in hiding for my life and using different names, so they couldn’t reach me for comment. At the same time, Dennis Foon (as interviewed in the movie’s ‘Bonus Feature’) was excited by the prospect of making a film about a “normal”, “educated”, regular, “middle-class” white girl from the suburbs, with “nothing particularly deviant or crazy about her” (i.e. not abused, poor, gay or particularly vulnerable, etc.) who attended university being caught up in the white supremacist movement – while myself, as an abused runaway high-school drop-out from a low-income single-mother household, didn’t fit Foon’s arguably elitist profile of “girl next door”.

Ironic, considering that at 16 I was a runaway, homeless MINOR in need of a family when I was recruited, and by age 18 I defected from the group and turned information to police. Elizabeth, on the other hand, was a university-attending, 19-year old ADULT from an upper-middle class family who stayed in the group until age 21.

Ironic also, given the fact that my father was Jewish (I converted to Judaism and embraced my family roots several years ago), but Elizabeth comes from old Christian stock. Perhaps Foon and the CBC felt a privileged, Christian girl from a wealthy family would be more appealing as the girl-next-door?

There is also the issue of the story arc – the truth is, Elizabeth Moore came into the movement, stayed for a couple of years, dated someone in the group, distributed some posters, recorded hotline messages, wrote a couple of articles for Up Front, and then left as unmemorably as she had entered. According to her own admission in an essay titled From Marches to Modems, her first concerns about being a member of a white supremacist, neo-Nazi group came after she was featured in a documentary called Hearts of Hate – after it came out, she became very concerned about how she would be perceived (as in, her public image and I assume her school-grades) by her university circle, neighbours, etc.. It certainly wasn’t due to a perception that what she was doing in the Heritage Front was actually wrong.

Elizabeth Moore describing what made her leave the Heritage Front

If the CBC had made a movie about that, it would have been a flop – there was no action, no drama, no excitement. Elizabeth lived in the Annex (Clinton St) in Toronto for many years afterwards – pretty strange behaviour for someone who claims their life is in jeopardy. Nobody attacked her, nobody from the Heritage Front held a knife to her throat and threatened to take her life (like Peter Mitrevski did to me at Wolfgang’s urging). By her own admission (via a Facebook conversation with me in 2014), she was only a tertiary, fringe group member who wasn’t trusted with any sensitive information by the group’s core members:

liz confession1-1  liz paranoid

But that didn’t stop her from unsuccessfully asking the Canadian Jewish Congress to help her get admitted into the Witness Protection Program, a preposterous idea given that she didn’t actually possess any sensitive information and was never in danger. In fact, there are ZERO police records, independent evidence or media accounts /reports /articles about Elizabeth’s involvement with the Heritage Front until Hearts of Hate came out. There is virtually nothing as far as real evidence to back up her questionable claims of endangerment or self-importance.

In sum, after hearing Elizabeth’s own confession – both in writing and several conversations – that she had been considered paranoid by several psychiatrists back in the 1990s (and after witnessing her mindset in relation to another extremely serious and troubling issue which I won’t mention publicly due to respecting the sexual privacy of both Moore and other Canadian Jewish Congress individuals in question), I believe that she became fixated – even obsessed – with my story.

Unlike me (i.e. CBC’s “Catherine”), Elizabeth didn’t go to any gun ranges, Klan rallies, and most certainly didn’t steal any information, from Zundel, Droege or otherwise, to incur as far as I know any danger on the part of the HF. She didn’t “defect” from a group where, by virtue of being female (a ratio of over 10-1 in the hate moment) and a university student, was invited to tag along with Wolfgang and the boys, but wasn’t actually taken into confidence in terms of their terror attack plans on their so-called “enemies” – they had learned their lesson after I had betrayed them a year prior to Elizabeth coming on the scene.

I came out as a lesbian before Elizabeth decided she was gay too

Moore telling me in a 2014 email that she thought she was gay too.

And yet, that didn’t stop her from continuing to walk in my footsteps: after I came out as a lesbian and my coming-out was featured in Now Magazine, Elizabeth (who’d always dated men before, including a racist HF skinhead) confessed that she also went through a gay period (she’s back to straight now). Then she wanted to work with the media, and was excited to get that gig with the CBC.

Hategan defectionUpset, I decided to confront Elizabeth with the reality that the CBC producers who made the film had appropriated my story. Dennis Foon’s own website states the following:

“I was intrigued when I read about a high school girl, Elizabeth Moore, who had been recruited into the Heritage Front, a neo-nazi group in Toronto. She rose up in the ranks of the organization before she finally defected.”

Rose up the ranks? Defected?  Dennis Foon lifted that description from a Toronto Sun article written about ME.

According to Elizabeth’s own confession, she was only a tertiary, fringe group member.

liz confession1-1 

During the years she was a fringe member of the Heritage Front, Elizabeth’s involvement was NEVER documented in any articles, press/media –  with the exception of Hearts of Hate, a documentary she volunteered to appear in, there is absolutely no evidence of anything that could constitute her “rising in the ranks” or having any significance whatsoever to the group’s leadership, other than perhaps in her own mind.

Unlike what the film depicted, Elizabeth Moore was never a speaker at rallies – I was. She never had access to Ernst Zundel’s data and I doubt she was in his townhouse more than a couple of times. I had enough on the Heritage Front to put its leader behind bars and disband CSIS’s Operation Governor – since I testified in Parliament in front of a specially-appointed Senate SubCommittee that investigated Bristow’s illegal activities, CSIS had to hide him in Alberta. His days as agent provocateur extraordinaire were over.

Hategan articleGrant Bristow CSIS Elisa TO Star article

Did Elizabeth Moore shut down the Heritage Front? Absolutely not. What were the CBC smoking – because I want some of it. Given Elizabeth’s own confession that she had been considered paranoid by several psychiatrists and that she hadn’t actually been taken into the group’s confidence, I believe that she fixated on my story after it received national press attention and subsequently (while I was in hiding for my life) appropriated it for her own benefit.

No – the Heritage Front, Ernst Zundel, and the whole neo-Nazi movement in Ontario were essentially shut down by the actions of a few brave anti-racist activists: Martin Theriault, Rodney Bobiwash, myself, Ruth M and Annette H, and by the hard-hitting articles penned by Toronto Sun’s Bill Dunphy. Although they continued to operate for a couple of years afterwards, they were nothing like the power-force they used to be in the early 1990s.

When I confronted Elizabeth, this is what she wrote back. It’s an exact quote of the email she sent me yesterday afternoon:

“What Dennis learned about you came from legit sources like court records, newspaper articles and talking to many people who knew you then. He did over a year of research on this”

CBC evidence

So basically, Elizabeth herself ADMITS that Dennis Foon (along with his chain of command, which include Phil Savath and Brian Freeman), researched my story via court documents, interviews with people who knew me, and then made a movie about…..Elizabeth?

Maybe since our names were basically the same (Elisse/Elisa vs Elizabeth) and we are both short, dark-haired women, they thought nobody would notice.

It’s pathetic.

Pathetic because while I was dumpster-diving for survival and begging for spare change on street corners while in hiding, people were making money hand over fist based on what had happened to me. Producers were attending Emmy and Gemini galas and getting nominations for a film that wouldn’t have existed without me.

Pathetic because even after I wrote my memoir last year and was interviewed by the CBC’s Director of Programming / Original Program Development Sadia Zaman (who interviewed me 20 years earlier in a half-hour documentary for Vision TV), nobody at the CBC was willing to give me even a sound-bite of coverage. The story wasn’t relevant anymore – in today’s political climate, only Muslims can be terrorists. There’s no such thing as racism and white supremacy anymore.

I guess they had already capitalized on my story and were busy supporting other CBC rock stars like, you know, Ghomeshi?

I don’t know of any lawyers who can help me pro-bono in going after the CBC – but if you can help, please email me. Regardless of whether I can win a lawsuit against them or not, it’s clear that from a moral (and karmic) viewpoint, my story was exploited and I received no compensation, no credit whatsoever from the publicly-funded Canadian Broadcasting Corporation. I have an extended collection of media clippings that demonstrates many of the events depicted in White Lies were actually based on my experiences: http://elisahategan.com/press_clips

I would suggest the CBC revise the title of that shoddy film as “CBC Lies.” For anybody who is interested in what really happened back in the 1990s, please read my book Race Traitor: The True Story of Canadian Intelligence’s Greatest Cover-Up. (Sorry for the shameless plug, guys, but I didn’t score a dime from the CBC and I’m telling a TRUE STORY.)

book2 Elisa and RT

So if you’re reading this – Dennis Foon, Phil Savath, Brian Freeman, Kari Skogland, whoever else worked on it and yes, especially Elizabeth Moore – you should all be ashamed of yourselves.

karma

Posted in cbc, crime, dennis foon, elizabeth moore, liz frederiksen, movie, news, sarah polley, truth | Tagged: , , , , , | Leave a Comment »

The Road Less Travelled: Authenticity in the Age of Indifference

Posted by E on January 6, 2016

loss

My mother died on December 2, 2015. She was 71. What was to be a joy-filled holiday season turned into a time of horror and desperate sadness for me. Not only because of the passing of my last surviving parent, but because of the indifference of people I’d trusted and held closest to my heart. Some of my closest friends, whom I’d counted on for emotional support in such a difficult time (mistakenly assuming they would reciprocate in empathy because I was always there for them) didn’t so much as phone me to see how I was, conversely finding enough time to post countless selfies and memes on Facebook.

indifference elie wiesel quoteI broke down. I blamed myself in a million ways – if I hadn’t insisted that my mother be hospitalized because of her advanced dementia, maybe she could have lived another year. Lots of studies state that living in one’s home prolongs one’s life – maybe I killed her in some way. Maybe it was my inability to visit more than once or twice per week (because I live out of town). Maybe because I still blamed her for the abuse I suffered as a child, for not protecting me when I needed her most. Maybe, maybe, maybe. I hated myself, I crucified myself….and in the end, I realized that the only person I was accountable to was myself.

My mother’s harsh death (she passed away in my arms, in a dimly-lit private room, after I told her that I’d forgiven her and that I loved her) and my friends’ shocking indifference taught me about the importance of being real – of authenticity and living in the moment, as raw and unfiltered as it might be. And, maybe because I’m still in shock or traumatized by the indifference of those closest to me, I realized that my first article of the year has to be about authenticity and integrity – especially in the golden age of apathy and indifference.

indifference wieselWe live in a time when technology has connected humanity more than ever, but paradoxically we have drifted apart in inexcusable ways – ways that will eventually lead to the decline of our humanity. We live in an age where we have the power to take to the streets and end the wars our governments wage against innocent nations in the name of oil, but we are too busy sharing Youtube clips of kittens, Drake songs and Kardashian “booty twerking”.

This is why I write this post, and this is why I am asking all of you to take a moment and reflect on your own authenticity. At the end of the day, what do you want to be known for? What would have been your purpose?

Are we really the people we think we are? Or have we deluded ourselves to think ourselves more capable and deserving than we really are? Have we really put in the time, sweat, blood and tears necessary to fulfill our dreams?

This piece, my first of 2016, is about the choice we all have to make – whether to be an impostor inside our own lives, or seize the days ahead and realize our potential with the authenticity and integrity needed to breathe life into our dreams.

I once knew a girl named Elizabeth Moore who was obsessed with Jews. At first she hated them, having become a neo-Nazi. Later on, after she left the hate movement and became a self-appointed anti-racist, she wanted nothing more than to be a Jew. She surrounded herself with Jews. She slept with Jewish officials associated with the Canadian Jewish Congress. She had years-long affairs that appear to have advanced her career, if her LinkedIn profile is anything to go by. She volunteered to be in films and documentaries that featured or were produced by Jews. She inserted herself like an insidious tapeworm into the Jewish community, going so far as to emulate me and issues I had discussed in prominent interviews regarding my role as a young girl who had actively helped to shut down the Canadian neo-Nazi movement.

Moore shown in Choose Your Voice, 2005

Moore shown in Choose Your Voice, 2005

We first became friends sometime in late 2012/ early 2013. At first I liked her – why wouldn’t I? We had lots of quirky interests in common. Elizabeth even declared publicly that I was her “soul sister” – perhaps because in our distant youth we had both made the mistake of joining (and eventually leaving) the same white supremacist hate group, the Heritage Front.

But ultimately we were nothing alike. At age 16 I was a runaway, often homeless MINOR from bullet-ridden Shuter Street in Regent Park who needed a family. By age 18 I had defected from the group, turned information to police and testified in court against dangerous neo-Nazis who had threatened me with death, leading to their eventual convictions.

Elizabeth, on the other hand, was a university-attending, 19-year old ADULT, the only daughter of an upper-middle class family who lived in the area of Pebblehill Square, an affluent part of Scarborough, Ontario. Unlike me, she chose to remain in the group until age 21 and did absolutely nothing to actively shut down (she didn’t testify in court or provide police with information as I had) or stop the neo-Nazis whose company she had once enjoyed.

Over the years, Elizabeth’s obsession with Jews eventually led her to marry a secular (non-religious) Jew. Then, after close to a decade of hanging around the now-defunct Canadian Jewish Congress (if her resume is any indication), she set upon getting an MFA from Toronto’s Ryerson University in documentary film-making. The MFA’s piece de resistance culminated with 2 years spent to produce a 20-minute film titled “In God’s Keeping” (the Vimeo trailer has since been removed) – the subject being none other than Moore capturing herself as a former neo-Nazi whose greatest desire appeared the wish to become a Jew.

Moore In Gods Keeping

Moore pictured in In God’s Keeping – image from Ryerson.ca

For her documentary, Elizabeth interviewed rabbis, synagogue staff, other potential converts, even top leaders of the Jewish community. She was keen, almost desperate to convert – or so it seemed. She made profiles on LinkedIn that included resume-building credentials with the Canadian Jewish Congress, although CJC officials deny she was ever in their employment. She sought to befriend big names on the Jewish scene, including community leaders and religious officials such as Tina Grimberg of the Darchei Noam congregation/synagogue.

Unbeknownst to Elizabeth, for the past decade I too had progressed on the path toward Judaism. I had already discovered that my father was Jewish and I wanted to return to the faith of my ancestors, and a DNA test taken through 23andme confirmed my Jewish heritage. Unlike her, I didn’t attempt to publicize or capitalize on my inner journey – I just studied and read as much as I could. Reaching out to media – much less before my actual conversion – would have been unfathomable (and embarrassing) for such a personal journey.

Naturally, as soon as Elizabeth told me of her intent and gave me a copy of her film, I was terribly excited that she too wanted to be a Jew. We spent countless hours over the following months comparing notes about conversion, discussing philosophical ideas and our pasts, questioning what our future identities as Jews would entail.

Across 2013, I began studying in earnest and enrolled in a Conversion to Judaism class. I read religious texts, classic and modern Judaic discussions, and joined a Jewish community. I struggled trying to make sense of the Hebrew alphabet. On December 17 (my actual birthday), I met with a three-rabbi Beit Din, immersed in a purifying Mikvah, and I became a Jew. Read about my moving experience that day in the entry Journey to Judaism: The Day I Became a Jew.

But did Elizabeth eventually go through with her conversion?

No. Of course not. Such a radical step would involve substance, and soul, and ardent desire; no publicity but an inner transformation of the spirit. In the end, Elizabeth’s obsession with becoming a Jew appeared in my eyes to have been more about appropriating a culture that wasn’t hers, ingratiating herself overtly with influential Jewish leaders, and benefitting emotionally and financially than about actually getting her feet wet and embracing a rich, millennia-old heritage. A culture that (in her own words in an email dated April 7, 2014) “can illicit PTSD responses”.

In February 2015, Elizabeth invited me over for dinner at her house and subsequently sold me her entire Jewish and Judaism-themed library (approx. 30 books) for $40. Actually, she had wanted to give me the books for free. I, on the other hand, didn’t feel right about accepting them without paying at least $1 per book, so I gave her all the money I had in my purse. Elizabeth’s reason for changing her mind about Judaism: she didn’t want to have to learn Hebrew.

Committing to weekly Hebrew classes was too tedious, she told me. She didn’t feel like attending weekly classes downtown for more than a year. Her husband hadn’t even had a Bar Mitzvah – he too didn’t see the point. And why should she? By then she’d already ingratiated herself in the Jewish community, by way of personal social media relationships with former leaders of the Canadian Jewish scene like Bernie Farber and Karen Mock. All this despite that she had done absolutely nothing for the Jewish community, other than arguably to exploit and monetize her connections with the CJC for close to a decade.

I can’t say I didn’t feel both saddened and shocked at her statement – here I was, having gone through more than a year of conversion studies, taking my choice to heart, while someone who was busy befriending people like Farber and Mock on social media and in real life (along with others in the close-knit Toronto Jewish community) seemed inwardly repulsed, or at the very least put off, by the thought of learning Hebrew, a core part of Judaism and its historical legacy.

star david peaceJudaism was still making Elizabeth Moore feel icky, deep down inside. It was making her break into hives much in the same way as the sight of a swastika. Jewish symbols were still “triggers” – along with neo-Nazi and Hitler regalia. In other words, although Jews had done absolutely nothing to her and she had been the anti-Semite, seeing a Star of David would be enough to send her into fits and panic attacks.

In the end, after two decades of obsessions related to Jews, sleeping with Jews, marrying Jews (in a Christian-style, non-denominational ceremony), being prominently featured in Jewish documentaries and a CBC feature that earned her $12,000 despite being partly based on my life story, even getting a degree that culminated in a documentary that depicted her ardent desire to be a Jew – she gave up the dream because she was loathe to learn the Jewish language.

I learned something powerful from Elizabeth Moore last year – that in this day and age, the act of going through the motions, the pretense of wanting to be something, is enough for people to convince themselves that they have what it takes – and the line between living an authentic life or forging a false, self-deluded existence becomes increasingly blurred.

To Thine Own Self Be TrueYou’ve met those people – the girl in yoga class who recites motivational quotes about positive thinking because she watched “The Secret” but takes no real steps toward actually applying for the job she claims she desires. The hipster dude who tells everybody he’s a genius poet – the next Bob Dylan, the next Rimbaud or Bukowski – but prefers playing the part of disturbed bard at the local watering hole, charming gullible coeds over flowing pints of Guinness, than over writing any actual verses.

We all know these types. We went to school with people whose unshakable confidence and self-assurance made our own self-esteem shine less brightly. People who seemed higher-than-life and more important than us merely because they had played the part to perfection. But in the end, substance faltered beneath the enormous weight of their ego’s illusion.

The idea of being a Jew – making films about becoming a Jew, associating with the Jewish community while holding mixed feelings about Jews themselves – was more attractive to Elizabeth than the actual pursuit of studying Judaism. Telling everybody she wanted to be a Jew held more significance, in the end, than truly understanding the plight of a people who were forced to give up their language, customs and very identity on threat of death for half a millennia.

So for the New Year, I encourage all of you to pursue your dreams and truly commit to whatever you most desire – because you don’t want to be one of those sad individuals who live an entire lifetime unable to distinguish between the fantasy of being something – say, a writer – and the actual gruelling, painful process of transforming yourself, your soul and your art into the real thing.

integrity memeLet’s all be real, people. Let’s be authentic, to ourselves and to the world surrounding us. Money, media connections, this life is all temporal. Only too late do we realize that we don’t need to impress anybody – this brief moment on earth is about surpassing our worst fears and inadequacies and being authentic to our soul’s purpose.

Holding my mother in my arms as she faded away taught me the importance of looking past the illusion. What illusion? All of it. The world we live in is an illusion, and the only thing that matters is how much we loved. How authentic and empathetic we were. And as the Jewish saying goes, that our memory becomes a blessing onto others.

In this New Year, practice acts of radical kindness. Believe in your ability to transcend the pain that surrounds us all.

To be honest, I struggled over the publication of this piece. I didn’t know whether I should disclose Elizabeth’s secrets (particularly involving the intimate affairs that earned her publicity and media exposure). Perhaps her intention of becoming a Jew had been genuine, once upon a time, and had dissolved along the way, or perhaps it had been fuelled from the beginning by a persistent need for attention and financial gain. I’ll never know for certain.

In the end, my concern for authenticity (as well as the Jewish community who might be manipulated and deserves to know about this matter) won out – I now believe it is my hard-won duty to tell the truth, as harsh as it may be. Because the act of truth-telling is both redemptive and illuminating, leading to a road that might benefit all of us collectively as a species.

Don’t be ensnared by your own delusions. Face the bitter road ahead – the sweat, the tears. The triumph. To borrow Robert Frost’s timeless words, take that road less travelled by.

It will make all the difference. That’s how we’ll unearth the roots of our humanity.

robert_frost_two_roads

Posted in 1mooreliz, anti-semitism, authenticity, canada, elizabeth moore, indifference, journalism, media, onemooreliz, politics, religion, sarah polley, white supremacy, writer, zundel | Tagged: , , , , , , , , , , , , , , , , , | 4 Comments »

White Lies: How the CBC Ripped Off My Story

Posted by E on October 13, 2015

Elisa backcover

In 1998, the CBC (Canadian Broadcasting Corporation) released a movie based on my life titled White Lies, which starred Sarah Polley.

The film producer and script writer, Dennis Foon, collected as many details of my actual life as he could based on trial testimony, newspaper clippings and interviews I’d given in the media, and then decided to produce a movie script inspired in large part by what had happened to me when I was a teenager.

Trouble was, although my experiences were appropriated for the story, I never received any credit or compensation.

So how did this sordid saga begin?

Hategan documentary VisionTVIn 1993 I was a teenager who was recruited into the ranks of Canada’s most dangerous (and notorious) white supremacist group, the Heritage Front. I was the only girl in the core of the movement, and was subsequently groomed for a leadership position. I began writing articles for their far-right publication, Up Front, spoke at rallies and even participated in talk shows on their behalf, such as my appearance on the Montel Williams show alongside White Aryan Resistance leader John Metzger.

I was still sixteen years old when I was introduced to notorious worldwide Holocaust-denier Ernst Zundel, who welcomed me into his townhouse on Carlton Street in Toronto. As an abused, impoverished, often runaway teenager, I didn’t have a home to go to or a family to care for me, and this is where Zundel stepped in and became a grandfatherly figure to me, while simultaneously teaching me that Jews controlled the world, the Holocaust never happened, and Hitler (whose portraits hung from the walls of his home) was invariably right to eliminate the mentally and physically handicapped, the homosexuals, and of course the Jews.

By the time I turned 17, one of the Heritage Front’s leaders, Grant Bristow (later revealed to be a CSIS agent) started what would become known as the It Campaign – a campaign of terror waged against anti-racist and community organizers who stood up in protests against the Heritage Front. Bristow single-handedly instructed dangerous white supremacists tips and tricks of the intelligence community – how to break into answering machines, impersonate reporters, stalk your victims and terrorize them, threaten and disguise oneself to avoid arrest. The emboldened skinheads went out and continued the harassment with vicious street attacks, beatings, physical and sexual attacks, car-tire slashings, as well as spray-painting / firebombings of places in the community such as synagogues, bookstores, and even the home of a well-known Kitchener-area activist and member of the CJC.

I knew I had to get away from the Front’s escalation of terror. This realization came on the heels of me admitting to myself that I was gay. However, as a core insider I had a lot of information I could access, and had earned the trust of the HF leaders as well as Ernst Zundel himself, for whom I worked as an assistant and errand-girl.

So I turned to the other side, spied on my former friends for 4 months, stole Zundel’s international mailing list, turned whatever information I could to police, and defected. In March 1994 I testified against Wolfgang Droege and 2 other white supremacists in the court of law and sent them to jail for the summer.

Although my info had resulted in convictions and I had been threatened with death, I was denied Witness Protection, while Grant Bristow – the CSIS agent whose years of building up the racist empire in Canada had resulted in ZERO arrests and convictions – was retired in the Witness Protection Program and given a brand new house, two cars, a retirement package worth hundreds of thousands of dollars.

meme

I spent a couple of years in hiding all over Canada, sleeping on sofas, floors and dumpster-diving for food before I finally got my GED and was accepted into the University of Ottawa (from where I graduated Magna Cum Laude in 1999 with a double major in Criminology and Psychology).

While still in hiding and going by a different name in Ottawa (they knew me there as Kat), the CBC was making a movie behind my back. A movie they advertised on their own DVD/VHS covers as a “True Story” – supposedly based on the “true story” of another ex-Heritage Front member, Elizabeth Moore.

WhiteLies SP     White Lies UK cover

I tracked down Elizabeth two years ago, after she messaged me through my website – she’s going by her married name now – and we became friends. Today she’s a woman who bears no resemblance to the old Elizabeth who was featured (along with me) in Hearts of Hate. She confessed that the CBC had paid her $12,000 to be a consultant on the movie, and that they based it on her. She told me that Dennis Foon, the writer, had helped her get an agent to negotiate with CBC on her behalf.

I thought I had seen the film, but back in the 1990s I was suffering from PTSD issues and I realize now that I must have only seen a commercial for it. No matter – it was unavailable now anyway, out of print and besides, I didn’t really want to revisit that part of my life or Elizabeth’s. So I let the whole issue go, although a nagging thought at the back of my mind told me that I should really see the film and their interpretation of what had really happened.

And then, voila! last week I found it on YouTube, uploaded by a girl named Brittany and chopped into 10 parts. I watched it closely, with a growing sense of horror, as I realized – for the first time – that the CBC hadn’t actually adapted Elizabeth’s story but my own.

The only things Elizabeth and Sarah Polley’s character ‘Catherine Chapman’ seemed to have in common was a nice, middle-class girl background. Oh, and the fact that Elizabeth had actually dated skinheads back then, while I did not (obviously, because I was a lesbian).

The story of Elizabeth-as-Catherine quickly lost credibility as the movie progressed. Her acceptance by a thinly-veiled Ernst Zundel (played by Lynn Redgrave), who puts her to work for him and grooms her as the new face of the movement, was actually my own experience. Elizabeth never worked for Ernst. I did. She was never the “new face of the movement.” These facts were stated about me over and over in newspaper articles throughout 1992-1995, as well as court documentation – from my trial testimony against Wolfgang Droege and his boys.

image1

image2 - Copy

1992 Globe & Mail article that describes me (using the alias surname Deschner) as the new, softer face of the movement – a line taken by Dennis Foon and used on the cover of White Lies. 

There are scenes where “Catherine” goes to Klan rallies, shooting ranges, and is shocked by the escalation of violence – which makes her turn against “NIM” (which stands for a mash-up of the Heritage Front and Ernst Zundel). At one point toward the end of the film, “Catherine” is directed by a Jewish community leader to steal Zundel’s mailing list – this never happened to Elizabeth, but I did actually take possession of such a list (both from Zundel and Droege’s home).

All of the above-scenes were lifted directly from interviews I did throughout 1993-1995 with CBC, CTV, Vision TV, and various newspapers – notably Toronto Sun, Globe & Mail, and the Ottawa Citizen. 

TO Sun feature defection hategan testimony

I should add that there was a secondary character by the name of Erina who is essentially a used-up ex-NIM member whose only act of protest against the hate movement is to hang herself. The CBC had the nerve to advertise that Erina was based on Elisse Hategan.

Moore shown in Choose Your Voice, 2005

Moore shown in Choose Your Voice, 2005

So why pay Elizabeth $12,000 and pass off my story as her own? It’s a tough question, and I speculate it has to do with the fact that I was in hiding for my life and using different names, so they couldn’t reach me for comment. At the same time, Dennis Foon (as interviewed in the movie’s ‘Bonus Feature’) was excited by the prospect of making a film about a “normal”, “educated”, regular, “middle-class” white girl from the suburbs, with “nothing particularly deviant or crazy about her” (i.e. not abused, poor, gay or particularly vulnerable, etc.) who attended university being caught up in the white supremacist movement – while myself, as an abused runaway high-school drop-out from a low-income single-mother household, didn’t fit Foon’s arguably elitist profile of “girl next door”.

Ironic, considering that at 16 I was a runaway, homeless MINOR in need of a family when I was recruited, and by age 18 I defected from the group and turned information to police. Elizabeth, on the other hand, was a university-attending, 19-year old ADULT from an upper-middle class family who stayed in the group until age 21.

Ironic also, given the fact that my father was Jewish (I converted to Judaism and embraced my family roots several years ago), but Elizabeth comes from old Christian stock. Perhaps Foon and the CBC felt a privileged, Christian girl from a wealthy family would be more appealing as the girl-next-door?

There is also the issue of the story arc – the truth is, Elizabeth Moore came into the movement, stayed for a couple of years, dated someone in the group, distributed some posters, recorded hotline messages, wrote a couple of articles for Up Front, and then left as unmemorably as she had entered. According to her own admission in an essay titled From Marches to Modems, her first concerns about being a member of a white supremacist, neo-Nazi group came after she was featured in a documentary called Hearts of Hate – after it came out, she became very concerned about how she would be perceived (as in, her public image and I assume her school-grades) by her university circle, neighbours, etc.. It certainly wasn’t due to a perception that what she was doing in the Heritage Front was actually wrong.

Elizabeth Moore describing what made her leave the Heritage Front

Elizabeth Moore describing what made her leave the racist Heritage Front in the essay “From Marches to Modems”

If the CBC had made a movie about that, it would have been a flop – there was no action, no drama, no excitement. Elizabeth lived in the Annex (Clinton St) in Toronto for many years afterwards – pretty strange behaviour for someone who claims their life is in jeopardy. Nobody attacked her, nobody from the Heritage Front held a knife to her throat and threatened to take her life (like Peter Mitrevski did to me at Wolfgang’s urging). By her own admission (via a Facebook conversation with me in 2014), she was only a tertiary, fringe group member who wasn’t trusted with any sensitive information by the group’s core members:

liz confession1-1  liz paranoid

But that didn’t stop her from unsuccessfully asking the Canadian Jewish Congress to help her get admitted into the Witness Protection Program, a preposterous idea given that she didn’t actually possess any sensitive information and was never in danger. In fact, there are ZERO police records, independent evidence or media accounts /reports /articles about Elizabeth’s involvement with the Heritage Front until Hearts of Hate came out. There is virtually nothing as far as real evidence to back up her questionable claims of endangerment or self-importance.

In sum, after hearing Elizabeth’s own confession – both in writing and several conversations – that she had been considered paranoid by several psychiatrists back in the 1990s (and after witnessing her mindset in relation to another extremely serious and troubling issue which I won’t mention publicly due to respecting the sexual privacy of both Moore and other Canadian Jewish Congress individuals in question), I believe that she became fixated – even obsessed – with my story.

Unlike me (i.e. CBC’s “Catherine”), Elizabeth didn’t go to any gun ranges, Klan rallies, and most certainly didn’t steal any information, from Zundel, Droege or otherwise, to incur as far as I know any danger on the part of the HF. She didn’t “defect” from a group where, by virtue of being female (a ratio of over 10-1 in the hate moment) and a university student, was invited to tag along with Wolfgang and the boys, but wasn’t actually taken into confidence in terms of their terror attack plans on their so-called “enemies” – they had learned their lesson after I had betrayed them a year prior to Elizabeth coming on the scene.

I came out as a lesbian before Elizabeth decided she was gay too

I came out as a lesbian a year before Elizabeth Moore decided she was gay too…maybe. Or maybe not.

Moore telling me in a 2014 email that she thought she was gay too.

Elizabeth Moore tells me in a 2013 email that she thought she was gay too

And yet, that didn’t stop her from continuing to walk in my footsteps: after I came out as a lesbian and my coming-out was featured in Now Magazine, Elizabeth (who’d always dated men before, including a racist HF skinhead) confessed that she also went through a gay period (she’s back to straight now). Then she wanted to work with the media, and was excited to get that gig with the CBC.

Hategan defectionUpset, I decided to confront Elizabeth with the reality that the CBC producers who made the film had appropriated my story. Dennis Foon’s own website states the following:

“I was intrigued when I read about a high school girl, Elizabeth Moore, who had been recruited into the Heritage Front, a neo-nazi group in Toronto. She rose up in the ranks of the organization before she finally defected.”

Rose up the ranks? Defected?  Dennis Foon lifted that description from a Toronto Sun article written about ME.

According to Elizabeth’s own confession, she was only a tertiary, fringe group member.

liz confession1-1 

During the years she was a fringe member of the Heritage Front, Elizabeth’s involvement was NEVER documented in any articles, press/media –  with the exception of Hearts of Hate, a documentary she volunteered to appear in, there is absolutely no evidence of anything that could constitute her “rising in the ranks” or having any significance whatsoever to the group’s leadership, other than perhaps in her own mind.

Unlike what the film depicted, Elizabeth Moore was never a speaker at rallies – I was. She never had access to Ernst Zundel’s data and I doubt she was in his townhouse more than a couple of times. I had enough on the Heritage Front to put its leader behind bars and disband CSIS’s Operation Governor – since I testified in Parliament in front of a specially-appointed Senate SubCommittee that investigated Bristow’s illegal activities, CSIS had to hide him in Alberta. His days as agent provocateur extraordinaire were over.

Hategan articleGrant Bristow CSIS Elisa TO Star article

Did Elizabeth Moore shut down the Heritage Front? Absolutely not. What were the CBC smoking – because I want some of it. Given Elizabeth’s own confession that she had been considered paranoid by several psychiatrists and that she hadn’t actually been taken into the group’s confidence, I believe that she fixated on my story after it received national press attention and subsequently (while I was in hiding for my life) appropriated it for her own benefit.

No – the Heritage Front, Ernst Zundel, and the whole neo-Nazi movement in Ontario were essentially shut down by the actions of a few brave anti-racist activists: Martin Theriault, Rodney Bobiwash, myself, Ruth M and Annette H, and by the hard-hitting articles penned by Toronto Sun’s Bill Dunphy. Although they continued to operate for a couple of years afterwards, they were nothing like the power-force they used to be in the early 1990s.

When I confronted Elizabeth, this is what she wrote back. It’s an exact quote of the email she sent me yesterday afternoon:

“What Dennis learned about you came from legit sources like court records, newspaper articles and talking to many people who knew you then. He did over a year of research on this”

CBC evidence

So basically, Elizabeth herself ADMITS that Dennis Foon (along with his chain of command, which include Phil Savath and Brian Freeman), researched my story via court documents, interviews with people who knew me, and then made a movie about…..Elizabeth?

Maybe since our names were basically the same (Elisse/Elisa vs Elizabeth) and we are both short, dark-haired women, they thought nobody would notice.

It’s pathetic.

Pathetic because while I was dumpster-diving for survival and begging for spare change on street corners while in hiding, people were making money hand over fist based on what had happened to me. Producers were attending Emmy and Gemini galas and getting nominations for a film that wouldn’t have existed without me.

Pathetic because even after I wrote my memoir last year and was interviewed by the CBC’s Director of Programming / Original Program Development Sadia Zaman (who interviewed me 20 years earlier in a half-hour documentary for Vision TV), nobody at the CBC was willing to give me even a sound-bite of coverage. The story wasn’t relevant anymore – in today’s political climate, only Muslims can be terrorists. There’s no such thing as racism and white supremacy anymore.

I guess they had already capitalized on my story and were busy supporting other CBC rock stars like, you know, Ghomeshi?

I don’t know of any lawyers who can help me pro-bono in going after the CBC – but if you can help, please email me. Regardless of whether I can win a lawsuit against them or not, it’s clear that from a moral (and karmic) viewpoint, my story was exploited and I received no compensation, no credit whatsoever from the publicly-funded Canadian Broadcasting Corporation. I have an extended collection of media clippings that demonstrates many of the events depicted in White Lies were actually based on my experiences: http://elisahategan.com/press_clips

I would suggest the CBC revise the title of that shoddy film as “CBC Lies.” For anybody who is interested in what really happened back in the 1990s, please read my book Race Traitor: The True Story of Canadian Intelligence’s Greatest Cover-Up. (Sorry for the shameless plug, guys, but I didn’t score a dime from the CBC and I’m telling a TRUE STORY.)

book2 Elisa and RT

So if you’re reading this – Dennis Foon, Phil Savath, Brian Freeman, Kari Skogland, whoever else worked on it and yes, especially Elizabeth Moore – you should all be ashamed of yourselves.

karma

Please note that this blog post was originally published on February 23, 2015. 

Posted in 1mooreliz, cbc, dennis foon, elizabeth moore, heritage front, onemooreliz, thelizbuzz | Tagged: , , , , , , , , , , , , , , , , , , , , | 5 Comments »

White Lies: How the CBC Ripped Off My Story

Posted by E on September 21, 2015

CBC logo Elisa backcover

In 1998, the CBC (Canadian Broadcasting Corporation) released a movie based on my life titled White Lies, which starred Sarah Polley.

The film producer and script writer, Dennis Foon, collected as many details of my actual life as he could based on trial testimony, newspaper clippings and interviews I’d given in the media, and then decided to produce a movie script inspired in large part by what had happened to me while I was a teenager.

Trouble was, although my experiences were appropriated for the story, I never received any credit or compensation.

So how did this sordid saga begin?

Hategan documentary VisionTVIn 1993 I was a 16-year old who was recruited into the ranks of Canada’s most dangerous (and notorious) white supremacist group, the Heritage Front. I was the only girl in the core of the movement, and was subsequently groomed for a leadership position. I began writing articles for their far-right publication, Up Front, spoke at rallies and even participated in talk shows on their behalf, such as my appearance on the Montel Williams show alongside White Aryan Resistance leader John Metzger.

I was still sixteen years old when I was introduced to notorious worldwide Holocaust-denier Ernst Zundel, who welcomed me into his townhouse on Carlton Street in Toronto. As an abused, impoverished, often runaway teenager, I didn’t have a home to go to or a family to care for me, and this is where Zundel stepped in and became a grandfatherly figure to me, while simultaneously teaching me that Jews controlled the world, the Holocaust never happened, and Hitler (whose portraits hung from the walls of his home) was invariably right to eliminate the mentally and physically handicapped, the homosexuals, and of course the Jews.

By the time I turned 17, one of the Heritage Front’s leaders, Grant Bristow (later revealed to be a CSIS agent) started what would become known as the It Campaign – a campaign of terror waged against anti-racist and community organizers who stood up in protests against the Heritage Front. Bristow single-handedly instructed dangerous white supremacists tips and tricks of the intelligence community – how to break into answering machines, impersonate reporters, stalk your victims and terrorize them, threaten and disguise oneself to avoid arrest. The emboldened skinheads went out and continued the harassment with vicious street attacks, beatings, physical and sexual attacks, car-tire slashings, as well as spray-painting / firebombings of places in the community such as synagogues, bookstores, and even the home of a well-known Kitchener-area activist and member of the CJC.

I knew I had to get away from the Front’s escalation of terror. This realization came on the heels of me admitting to myself that I was gay. However, as a core insider I had a lot of information I could access, and had earned the trust of the HF leaders as well as Ernst Zundel himself, for whom I worked as an assistant and errand-girl.

So I turned to the other side, spied on my former friends for 4 months, stole Zundel’s international mailing list, turned whatever information I could to police, and defected. In March 1994 I testified against Wolfgang Droege and 2 other white supremacists in the court of law and sent them to jail for the summer.

Although my info had resulted in convictions and I had been threatened with death, I was denied Witness Protection, while Grant Bristow – the CSIS agent whose years of building up the racist empire in Canada had resulted in ZERO arrests and convictions – was retired in the Witness Protection Program and given a brand new house, two cars, a retirement package worth hundreds of thousands of dollars.

meme

I spent a couple of years in hiding all over Canada, sleeping on sofas, floors and dumpster-diving for food before I finally got my GED and was accepted into the University of Ottawa (from where I graduated Magna Cum Laude in 1999 with a double major in Criminology and Psychology).

While still in hiding and going by a different name in Ottawa (they knew me there as Kat), the CBC was making a movie behind my back. A movie they advertised on their own DVD/VHS covers as a “True Story” – supposedly based on the “true story” of another ex-Heritage Front member, Elizabeth Moore.

WhiteLies SPWhite Lies UK cover

I tracked down Elizabeth two years ago, after she messaged me through my website – she’s going by her married name now – and we became friends. She’s a nice person actually, a woman who bears no resemblance to the old Elizabeth who was featured (along with me) in Hearts of Hate. She confessed that the CBC had paid her $12,000 to be a consultant on the movie, and that they based it on her. She told me that Dennis Foon, the writer, had helped her get an agent to negotiate with CBC on her behalf.

I thought I had seen the film, but back in the 1990s I was suffering from PTSD issues and I realize now that I must have only seen a commercial for it. No matter – it was unavailable now anyway, out of print and besides, I didn’t really want to revisit that part of my life or Elizabeth’s. So I let the whole issue go, although a nagging thought at the back of my mind told me that I should really see the film and their interpretation of what had really happened.

And then, voila! last week I found it on YouTube, uploaded by a girl named Brittany and chopped into 10 parts. I watched it closely, with a growing sense of horror, as I realized – for the first time – that the CBC hadn’t actually adapted Elizabeth’s story but my own.

The only things Elizabeth and Sarah Polley’s character ‘Catherine Chapman’ seemed to have in common was a nice, middle-class girl background. Oh, and the fact that Elizabeth had actually dated skinheads back then, while I did not (obviously, because I was a lesbian).

The story of Elizabeth-as-Catherine quickly lost credibility as the movie progressed. Her acceptance by a thinly-veiled Ernst Zundel (played by Lynn Redgrave), who puts her to work for him and grooms her as the new face of the movement, was actually my own experience. Elizabeth never worked for Ernst. I did. She was never the “new face of the movement.” These facts were stated about me over and over in newspaper articles throughout 1992-1995, as well as court documentation – from my trial testimony against Wolfgang Droege and his boys.

image1

image2 - Copy

1992 Globe & Mail article that describes me (using the alias surname Deschner) as the new, softer face of the movement – a line taken by Dennis Foon and used on the cover of White Lies.

There are scenes where “Catherine” goes to Klan rallies, shooting ranges, and is shocked by the escalation of violence – which makes her turn against “NIM” (which stands for a mash-up of the Heritage Front and Ernst Zundel). At one point toward the end of the film, “Catherine” is directed by a Jewish community leader to steal Zundel’s mailing list – this never happened to Elizabeth, but I did actually take possession of such a list (both from Zundel and Droege’s home).

All of the above-scenes were lifted directly from interviews I did throughout 1993-1995 with CBC, CTV, Vision TV, and various newspapers – notably Toronto Sun, Globe & Mail, and the Ottawa Citizen.

TO Sun feature defection hategan testimony

I should add that there was a secondary character by the name of Erina who is essentially a used-up ex-NIM member whose only act of protest against the hate movement is to hang herself. The CBC had the nerve to advertise that Erina was based on Elisse Hategan.

Moore shown in Choose Your Voice, 2005

Moore shown in Choose Your Voice, 2005

So why pay Elizabeth $12,000 and pass off my story as her own? It’s a tough question, and I speculate it has to do with the fact that I was in hiding for my life and using different names, so they couldn’t reach me for comment. At the same time, Dennis Foon (as interviewed in the movie’s ‘Bonus Feature’) was excited by the prospect of making a film about a “normal”, “educated”, regular, “middle-class” white girl from the suburbs, with “nothing particularly deviant or crazy about her” (i.e. not abused, poor, gay or particularly vulnerable, etc.) who attended university being caught up in the white supremacist movement – while myself, as an abused runaway high-school drop-out from a low-income single-mother household, didn’t fit Foon’s arguably elitist profile of “girl next door”.

Ironic, considering that at 16 I was a runaway, homeless MINOR in need of a family when I was recruited, and by age 18 I defected from the group and turned information to police. Elizabeth, on the other hand, was a university-attending, 19-year old ADULT from an upper-middle class family who stayed in the group until age 21.

Ironic also, given the fact that my father was Jewish (I converted to Judaism and embraced my family roots several years ago), but Elizabeth comes from old Christian stock. Perhaps Foon and the CBC felt a privileged, Christian girl from a wealthy family would be more appealing as the girl-next-door?

There is also the issue of the story arc – the truth is, Elizabeth Moore came into the movement, stayed for a couple of years, dated someone in the group, distributed some posters, recorded hotline messages, wrote a couple of articles for Up Front, and then left as unmemorably as she had entered. According to her own admission in an essay titled From Marches to Modems, her first, initial concerns about being a member of a white supremacist, neo-Nazi group came after she was featured in a documentary called Hearts of Hate – after it came out, she became very concerned about how she would be perceived (as in, her public image and I assume her school-grades) by her university circle, neighbours, etc.. It certainly wasn’t due to a perception that what she was doing in the Heritage Front was actually wrong.

Elizabeth Moore describing what made her leave the Heritage Front

Elizabeth Moore describing what made her leave the racist Heritage Front in the essay “From Marches to Modems”

If the CBC had made a movie about that, it would have been a flop – there was no action, no drama, no excitement. Elizabeth lived in the Annex (Clinton St) in Toronto for many years afterwards – pretty strange behaviour for someone who claims their life is in jeopardy. Nobody attacked her, nobody from the Heritage Front held a knife to her throat and threatened to take her life (like Peter Mitrevski did to me at Wolfgang’s urging). By her own admission (via a Facebook conversation with me in 2014), she was only a fringe, tertiary group member who wasn’t trusted with any sensitive information by the group’s core members:

liz confession1-1  liz paranoid

But that didn’t stop her from unsuccessfully asking the Canadian Jewish Congress to help her get admitted into the Witness Protection Program, a preposterous idea given that she didn’t actually possess any sensitive information and was never in danger. In fact, there are ZERO police records, independent evidence or media accounts /reports /articles about Elizabeth’s involvement with the Heritage Front until Hearts of Hate came out. There is virtually nothing as far as real evidence to back up her questionable claims of endangerment or self-importance.

In sum, after hearing Elizabeth’s own confession – both in writing and several conversations – that she had been considered paranoid by several psychiatrists back in the 1990s (and after witnessing her mindset in relation to another extremely serious and troubling issue which I won’t mention publicly due to respecting the sexual privacy of both Moore and other Canadian Jewish Congress individuals in question), I believe that she became fixated – even obsessed – with my story.

Unlike me (i.e. CBC’s “Catherine”), Elizabeth didn’t go to any gun ranges, Klan rallies, and most certainly didn’t steal any information, from Zundel, Droege or otherwise, to incur as far as I know any danger on the part of the HF. She didn’t “defect” from a group where, by virtue of being female (a ratio of over 10-1 in the hate moment) and a university student, was invited to tag along with Wolfgang and the boys, but wasn’t actually taken into confidence in terms of their terror attack plans on their so-called “enemies” – they had learned their lesson after I had betrayed them a year prior to Elizabeth coming on the scene.

I came out as a lesbian before Elizabeth decided she was gay too

I came out as a lesbian a year before Elizabeth Moore decided she was gay too…maybe. Or maybe not.

Moore telling me in a 2014 email that she thought she was gay too.

Elizabeth Moore tells me in a 2013 email that she thought she was gay too

And yet, that didn’t stop her from continuing to walk in my footsteps: after I came out as a lesbian and my coming-out was featured in Now Magazine, Elizabeth (who’d always dated men before, including a racist HF skinhead) confessed that she also went through a gay period (she’s back to straight now). Then she wanted to work with the media, and was excited to get that gig with the CBC.

Hategan defectionUpset, I decided to confront Elizabeth with the reality that the CBC producers who made the film had appropriated my story. Dennis Foon’s own website states the following:

“I was intrigued when I read about a high school girl, Elizabeth Moore, who had been recruited into the Heritage Front, a neo-nazi group in Toronto. She rose up in the ranks of the organization before she finally defected.”

Rose up the ranks? Defected? Dennis Foon lifted that description from a Toronto Sun article written about ME.

According to Elizabeth’s own confession, she was a tertiary, fringe group member.

liz confession1-1

During the 3 years she was a fringe member of the Heritage Front, Elizabeth’s involvement was NEVER documented in any articles, press/media –  with the exception of Hearts of Hate, a documentary she volunteered to appear in, there is absolutely no evidence of anything that could constitute her “rising in the ranks” or having any significance whatsoever to the group’s leadership, other than perhaps in her own mind.

Unlike what the film depicts, Elizabeth was never a speaker at rallies – I was. She never had access to Ernst Zundel’s data and I doubt she was in his townhouse more than a couple of times. I had enough on the Heritage Front to put its leader behind bars and disband CSIS’s Operation Governor – since I testified in Parliament in front of a specially-appointed Senate SubCommittee that investigated Bristow’s illegal activities, CSIS had to hide him in Alberta. His days as agent provocateur extraordinaire were over.

Hategan articleGrant Bristow CSISElisa TO Star article

Did Elizabeth Moore shut down the Heritage Front? Absolutely not. What were the CBC smoking – because I want some of it. Given Elizabeth’s own confession that she had been considered paranoid by several psychiatrists and that she hadn’t actually been taken into the group’s confidence, I believe that she fixated on my story after it received national press attention and subsequently (while I was in hiding for my life) appropriated it for her own benefit.

No – the Heritage Front, Ernst Zundel, and the whole neo-Nazi movement in Ontario were essentially shut down by the actions of a few brave anti-racist activists: Martin Theriault, Rodney Bobiwash, myself, Ruth M and Annette H, and by the hard-hitting articles penned by Toronto Sun’s Bill Dunphy. Although they continued to operate for a couple of years afterwards, they were nothing like the power-force they used to be in the early 1990s.

When I confronted Elizabeth, this is what she wrote back. It’s an exact quote of the email she sent me yesterday afternoon:

“What Dennis learned about you came from legit sources like court records, newspaper articles and talking to many people who knew you then. He did over a year of research on this”

CBC evidence

So basically, Elizabeth herself ADMITS that Dennis Foon (along with his chain of command, which include Phil Savath and Brian Freeman), researched my story via court documents, interviews with people who knew me, and then made a movie about…..Elizabeth?

Maybe since our names were basically the same (Elisse/Elisa vs Elizabeth) and we are both short, dark-haired women, they thought nobody would notice.

It’s pathetic.

Pathetic because while I was dumpster-diving for survival and begging for spare change on street corners while in hiding, people were making money hand over fist based on what had happened to me. Producers were attending Emmy and Gemini galas and getting nominations for a film that wouldn’t have existed without me.

Pathetic because even after I wrote my memoir last year and was interviewed by the CBC’s Director of Programming / Original Program Development Sadia Zaman (who interviewed me 20 years earlier in a half-hour documentary for Vision TV), nobody at the CBC was willing to give me even a sound-bite of coverage. The story wasn’t relevant anymore – in today’s political climate, only Muslims can be terrorists. There’s no such thing as racism and white supremacy anymore.

I guess they had already capitalized on my story and were busy supporting other CBC rock stars like, you know, Ghomeshi?

I don’t know of any lawyers who can help me pro-bono in going after the CBC – but if you can help, please email me. Regardless of whether I can win a lawsuit against them or not, it’s clear that from a moral (and karmic) viewpoint, my story was exploited and I received no compensation, no credit whatsoever from the publicly-funded Canadian Broadcasting Corporation. I have an extended collection of media clippings that demonstrates many of the events depicted in White Lies were actually based on my experiences.

I would suggest the CBC revise the title of that shoddy film as “CBC Lies.” For anybody who is interested in what really happened back in the 1990s, please read my book Race Traitor: The True Story of Canadian Intelligence’s Greatest Cover-Up. (Sorry for the shameless plug, guys, but I didn’t score a dime from the CBC and I’m telling a TRUE STORY.)

book2 Elisa and RT

So if you’re reading this – Dennis Foon, Phil Savath, Brian Freeman, Kari Skogland, whoever else worked on it and yes, especially Elizabeth Moore – you should all be ashamed of yourselves.

karma

Posted in cbc, elizabeth moore, heritage front | Tagged: , , , , , , , , , , , , , , , , , , | 2 Comments »

An open letter to my stalker

Posted by E on August 4, 2015

Elizabeth Moore shown in Choose Your Voice, 2005

Elizabeth Moore shown in Choose Your Voice, 2005

Hello Elizabeth,

for the record, I am deeply disturbed by the fact that you are stalking me on social media networks, and that you have communicated defamatory messages about me to other people in the last few months.

This cannot continue any more. It’s affected my health, stress levels, and has left me disturbed and fearing for my safety.

I recognize that you were upset by my February 2015 post White Lies: How the CBC Ripped Off My Story.

However, your behaviour since then has prompted me to write this post.

Over the last six months, I have noticed a pattern of stalking on social media networks such as Facebook, Twitter and Instagram, among others, along with my WordPress blog site and my personal/business websites, where you have stalked me and subsequently disseminated defamatory messages about me to other individuals.

I am hereby informing you that as of today, if you repeat any such stalking behaviour – to me or anyone else you disseminate defamatory statements about me – that I will have no choice but to contact police and take legal action against you.

I am frightened and disturbed by your stalking – and what amounts to bullying behaviour – and I will have to seek a restraining order against you if I receive any evidence that you are still persisting in continuing to stalk me on social media networks – or any members of my family.

So, Elizabeth — STOP STALKING ME! I know you’re reading this and I’m writing this notice as an official message that I intend to go to the police – and I WILL go to the police – unless your stalking behaviour stops.

Please do NOT make me contact the police, because this will leave a permanent record of your name in the police database,

Elisa

Posted in 1mooreliz, elizabeth moore, heritage front, history, stalking | Tagged: , , , , , , , , | Leave a Comment »

White Lies: A Pack of Lies, or How the CBC Ripped Off My Story

Posted by E on February 23, 2015

CBC logo Elisa backcover

In 1998, the CBC (Canadian Broadcasting Corporation) released a movie based on my life titled White Lies, which starred Sarah Polley.

The film producer and script writer, Dennis Foon, collected as many details of my actual life as he could based on trial testimony, newspaper clippings and interviews I’d given in the media, and then decided to produce a movie script inspired in large part by what had happened to me while I was a teenager.

Trouble was, although my experiences were appropriated for the story, I never received any credit or compensation.

So how did this sordid saga begin?

Hategan documentary VisionTVIn 1993 I was a 16-year old who was recruited into the ranks of Canada’s most dangerous (and notorious) white supremacist group, the Heritage Front. I was the only girl in the core of the movement, and was subsequently groomed for a leadership position. I began writing articles for their far-right publication, Up Front, spoke at rallies and even participated in talk shows on their behalf, such as my appearance on the Montel Williams show alongside White Aryan Resistance leader John Metzger.

I was still sixteen years old when I was introduced to notorious worldwide Holocaust-denier Ernst Zundel, who welcomed me into his townhouse on Carlton Street in Toronto. As an abused, impoverished, often runaway teenager, I didn’t have a home to go to or a family to care for me, and this is where Zundel stepped in and became a grandfatherly figure to me, while simultaneously teaching me that Jews controlled the world, the Holocaust never happened, and Hitler (whose portraits hung from the walls of his home) was invariably right to eliminate the mentally and physically handicapped, the homosexuals, and of course the Jews.

By the time I turned 17, one of the Heritage Front’s leaders, Grant Bristow (later revealed to be a CSIS agent) started what would become known as the It Campaign – a campaign of terror waged against anti-racist and community organizers who stood up in protests against the Heritage Front. Bristow single-handedly instructed dangerous white supremacists tips and tricks of the intelligence community – how to break into answering machines, impersonate reporters, stalk your victims and terrorize them, threaten and disguise oneself to avoid arrest. The emboldened skinheads went out and continued the harassment with vicious street attacks, beatings, physical and sexual attacks, car-tire slashings, as well as spray-painting / firebombings of places in the community such as synagogues, bookstores, and even the home of a well-known Kitchener-area activist and member of the CJC.

I knew I had to get away from the Front’s escalation of terror. This realization came on the heels of me admitting to myself that I was gay. However, as a core insider I had a lot of information I could access, and had earned the trust of the HF leaders as well as Ernst Zundel himself, for whom I worked as an assistant and errand-girl.

So I turned to the other side, spied on my former friends for 4 months, stole Zundel’s international mailing list, turned whatever information I could to police, and defected. In March 1994 I testified against Wolfgang Droege and 2 other white supremacists in the court of law and sent them to jail for the summer.

Although my info had resulted in convictions and I had been threatened with death, I was denied Witness Protection, while Grant Bristow – the CSIS agent whose years of building up the racist empire in Canada had resulted in ZERO arrests and convictions – was retired in the Witness Protection Program and given a brand new house, two cars, a retirement package worth hundreds of thousands of dollars.

meme

I spent a couple of years in hiding all over Canada, sleeping on sofas, floors and dumpster-diving for food before I finally got my GED and was accepted into the University of Ottawa (from where I graduated Magna Cum Laude in 1999 with a double major in Criminology and Psychology).

While still in hiding and going by a different name in Ottawa (they knew me there as Kat), the CBC was making a movie behind my back. A movie they advertised on their own DVD/VHS covers as a “True Story” – supposedly based on the “true story” of another ex-Heritage Front member, Elizabeth Moore.

WhiteLies SPWhite Lies UK cover

I tracked down Elizabeth two years ago, after she messaged me through my website – she’s going by her married name now – and we became friends. She’s a nice person actually, a woman who bears no resemblance to the old Elizabeth who was featured (along with me) in Hearts of Hate. She confessed that the CBC had paid her $12,000 to be a consultant on the movie, and that they based it on her. She told me that Dennis Foon, the writer, had helped her get an agent to negotiate with CBC on her behalf.

I thought I had seen the film, but back in the 1990s I was suffering from PTSD issues and I realize now that I must have only seen a commercial for it. No matter – it was unavailable now anyway, out of print and besides, I didn’t really want to revisit that part of my life or Elizabeth’s. So I let the whole issue go, although a nagging thought at the back of my mind told me that I should really see the film and their interpretation of what had really happened.

And then, voila! last week I found it on YouTube, uploaded by a girl named Brittany and chopped into 10 parts. I watched it closely, with a growing sense of horror, as I realized – for the first time – that the CBC hadn’t actually adapted Elizabeth’s story but my own.

The only things Elizabeth and Sarah Polley’s character ‘Catherine Chapman’ seemed to have in common was a nice, middle-class girl background. Oh, and the fact that Elizabeth had actually dated skinheads back then, while I did not (obviously, because I was a lesbian).

The story of Elizabeth-as-Catherine quickly lost credibility as the movie progressed. Her acceptance by a thinly-veiled Ernst Zundel (played by Lynn Redgrave), who puts her to work for him and grooms her as the new face of the movement, was actually my own experience. Elizabeth never worked for Ernst. I did. She was never the “new face of the movement.” These facts were stated about me over and over in newspaper articles throughout 1992-1995, as well as court documentation – from my trial testimony against Wolfgang Droege and his boys.

image1

image2 - Copy

1992 Globe & Mail article that describes me (using the alias surname Deschner) as the new, softer face of the movement – a line taken by Dennis Foon and used on the cover of White Lies.

There are scenes where “Catherine” goes to Klan rallies, shooting ranges, and is shocked by the escalation of violence – which makes her turn against “NIM” (which stands for a mash-up of the Heritage Front and Ernst Zundel). At one point toward the end of the film, “Catherine” is directed by a Jewish community leader to steal Zundel’s mailing list – this never happened to Elizabeth, but I did actually take possession of such a list (both from Zundel and Droege’s home).

All of the above-scenes were lifted directly from interviews I did throughout 1993-1995 with CBC, CTV, Vision TV, and various newspapers – notably Toronto Sun, Globe & Mail, and the Ottawa Citizen.

TO Sun feature defection hategan testimony

I should add that there was a secondary character by the name of Erina who is essentially a used-up ex-NIM member whose only act of protest against the hate movement is to hang herself. The CBC had the nerve to advertise that Erina was based on Elisse Hategan.

Moore shown in Choose Your Voice, 2005

Moore shown in Choose Your Voice, 2005

So why pay Elizabeth $12,000 and pass off my story as her own? It’s a tough question, and I speculate it has to do with the fact that I was in hiding for my life and using different names, so they couldn’t reach me for comment. At the same time, Dennis Foon (as interviewed in the movie’s ‘Bonus Feature’) was excited by the prospect of making a film about a “normal”, “educated”, regular, “middle-class” white girl from the suburbs, with “nothing particularly deviant or crazy about her” (i.e. not abused, poor, gay or particularly vulnerable, etc.) who attended university being caught up in the white supremacist movement – while myself, as an abused runaway high-school drop-out from a low-income single-mother household, didn’t fit Foon’s arguably elitist profile of “girl next door”.

Ironic, considering that at 16 I was a runaway, homeless MINOR in need of a family when I was recruited, and by age 18 I defected from the group and turned information to police. Elizabeth, on the other hand, was a university-attending, 19-year old ADULT from an upper-middle class family who stayed in the group until age 21.

Ironic also, given the fact that my father was Jewish (I converted several years ago to Judaism and embraced my family roots), but Elizabeth comes from old Christian stock. Perhaps Foon and the CBC felt a privileged, Christian girl from a wealthy family would be more appealing as the girl-next-door?

There is also the issue of the story arc – the truth is, Elizabeth Moore came into the movement, stayed for a couple of years, dated someone in the group, distributed some posters, recorded hotline messages, wrote a couple of articles for Up Front, and then left as unmemorably as she had entered. According to her own admission in an essay titled From Marches to Modems, her first concerns about being a member of a white supremacist, neo-Nazi group came after she was featured in a documentary called Hearts of Hate – after it came out, she became very concerned about how she would be perceived (as in, her public image and I assume her school-grades) by her university circle, neighbours, etc.. It certainly wasn’t due to a perception that what she was doing in the Heritage Front was actually wrong.

Elizabeth Moore describing what made her leave the Heritage Front

Elizabeth Moore describing what made her leave the racist Heritage Front in the essay “From Marches to Modems”

If the CBC had made a movie about that, it would have been a flop – there was no action, no drama, no excitement. Elizabeth lived in the Annex (Clinton St) in Toronto for many years afterwards – pretty strange behaviour for someone who claims their life is in jeopardy. Nobody attacked her, nobody from the Heritage Front held a knife to her throat and threatened to take her life (like Peter Mitrevski did to me at Wolfgang’s urging). By her own admission (via a Facebook conversation with me in 2014), she was only a fringe, tertiary group member who wasn’t trusted with any sensitive information by the group’s core members:

liz confession1-1  liz paranoid

But that didn’t stop her from unsuccessfully asking the Canadian Jewish Congress to help her get admitted into the Witness Protection Program, a preposterous idea given that she didn’t actually possess any sensitive information and was never in danger. In fact, there are ZERO police records, independent evidence or media accounts /reports /articles about Elizabeth’s involvement with the Heritage Front until Hearts of Hate came out. There is virtually nothing as far as real evidence to back up her questionable claims of endangerment or self-importance.

In sum, after hearing Elizabeth’s own confession – both in writing and several conversations – that she had been considered paranoid by several psychiatrists back in the 1990s (and after witnessing her mindset in relation to another extremely serious and troubling issue which I won’t mention publicly due to respecting the sexual privacy of both Moore and other Canadian Jewish Congress individuals in question), I believe that she became fixated – even obsessed – with my story.

Unlike me (i.e. CBC’s “Catherine”), Elizabeth didn’t go to any gun ranges, Klan rallies, and most certainly didn’t steal any information, from Zundel, Droege or otherwise, to incur as far as I know any danger on the part of the HF. She didn’t “defect” from a group where, by virtue of being female (a ratio of over 10-1 in the hate moment) and a university student, was invited to tag along with Wolfgang and the boys, but wasn’t actually taken into confidence in terms of their terror attack plans on their so-called “enemies” – they had learned their lesson after I had betrayed them a year prior to Elizabeth coming on the scene.

I came out as a lesbian before Elizabeth decided she was gay too

I came out as a lesbian a year before Elizabeth Moore decided she was gay too…maybe. Or maybe not.

Moore telling me in a 2014 email that she thought she was gay too.

Elizabeth Moore tells me in a 2013 email that she thought she was gay too

And yet, that didn’t stop her from continuing to walk in my footsteps: after I came out as a lesbian and my coming-out was featured in Now Magazine, Elizabeth (who’d always dated men before, including a racist HF skinhead) confessed that she also went through a gay period (she’s back to straight now). Then she wanted to work with the media, and was excited to get that gig with the CBC.

Hategan defectionUpset, I decided to confront Elizabeth with the reality that the CBC producers who made the film had appropriated my story. Dennis Foon’s own website states the following:

“I was intrigued when I read about a high school girl, Elizabeth Moore, who had been recruited into the Heritage Front, a neo-nazi group in Toronto. She rose up in the ranks of the organization before she finally defected.”

Rose up the ranks? Defected? Dennis Foon lifted that description from a Toronto Sun article written about ME.

According to Elizabeth’s own confession, she was a tertiary, fringe group member.

liz confession1-1

During the 3 years she was a fringe member of the Heritage Front, Elizabeth’s involvement was NEVER documented in any articles, press/media –  with the exception of Hearts of Hate, a documentary she volunteered to appear in, there is absolutely no evidence of anything that could constitute her “rising in the ranks” or having any significance whatsoever to the group’s leadership, other than perhaps in her own mind.

Unlike what the film depicted, Elizabeth Moore was never a speaker at rallies – I was. She never had access to Ernst Zundel’s data and I doubt she was in his townhouse more than a couple of times. I had enough on the Heritage Front to put its leader behind bars and disband CSIS’s Operation Governor – since I testified in Parliament in front of a specially-appointed Senate SubCommittee that investigated Bristow’s illegal activities, CSIS had to hide him in Alberta. His days as agent provocateur extraordinaire were over.

Hategan articleGrant Bristow CSIS Elisa TO Star article

Did Elizabeth Moore shut down the Heritage Front? Absolutely not. What were the CBC smoking – because I want some of it. Given Elizabeth’s own confession that she had been considered paranoid by several psychiatrists and that she hadn’t actually been taken into the group’s confidence, I believe that she fixated on my story after it received national press attention and subsequently (while I was in hiding for my life) appropriated it for her own benefit.

No – the Heritage Front, Ernst Zundel, and the whole neo-Nazi movement in Ontario were essentially shut down by the actions of a few brave anti-racist activists: Martin Theriault, Rodney Bobiwash, myself, Ruth M and Annette H, and by the hard-hitting articles penned by Toronto Sun’s Bill Dunphy. Although they continued to operate for a couple of years afterwards, they were nothing like the power-force they used to be in the early 1990s.

When I confronted Elizabeth, this is what she wrote back. It’s an exact quote of the email she sent me yesterday afternoon:

“What Dennis learned about you came from legit sources like court records, newspaper articles and talking to many people who knew you then. He did over a year of research on this”

CBC evidence

So basically, Elizabeth herself ADMITS that Dennis Foon (along with his chain of command, which include Phil Savath and Brian Freeman), researched my story via court documents, interviews with people who knew me, and then made a movie about…..Elizabeth?

Maybe since our names were basically the same (Elisse/Elisa vs Elizabeth) and we are both short, dark-haired women, they thought nobody would notice.

It’s pathetic.

Pathetic because while I was dumpster-diving for survival and begging for spare change on street corners while in hiding, people were making money hand over fist based on what had happened to me. Producers were attending Emmy and Gemini galas and getting nominations for a film that wouldn’t have existed without me.

Pathetic because even after I wrote my memoir last year and was interviewed by the CBC’s Director of Programming / Original Program Development Sadia Zaman (who interviewed me 20 years earlier in a half-hour documentary for Vision TV), nobody at the CBC was willing to give me even a sound-bite of coverage. The story wasn’t relevant anymore – in today’s political climate, only Muslims can be terrorists. There’s no such thing as racism and white supremacy anymore.

I guess they had already capitalized on my story and were busy supporting other CBC rock stars like, you know, Ghomeshi?

I don’t know of any lawyers who can help me pro-bono in going after the CBC – but if you can help, please email me. Regardless of whether I can win a lawsuit against them or not, it’s clear that from a moral (and karmic) viewpoint, my story was exploited and I received no compensation, no credit whatsoever from the publicly-funded Canadian Broadcasting Corporation. I have an extended collection of media clippings that demonstrates many of the events depicted in White Lies were actually based on my experiences.

I would suggest the CBC revise the title of that shoddy film as “CBC Lies.” For anybody who is interested in what really happened back in the 1990s, please read my book Race Traitor: The True Story of Canadian Intelligence’s Greatest Cover-Up. (Sorry for the shameless plug, guys, but I didn’t score a dime from the CBC and I’m telling a TRUE STORY.)

book2 Elisa and RT

So if you’re reading this – Dennis Foon, Phil Savath, Brian Freeman, Kari Skogland, whoever else worked on it and yes, especially Elizabeth Moore – you should all be ashamed of yourselves.

karma

 

 

 

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